Sent on a route through the deepest parts of Mexico because of a big screw-up, New York Yankees talent scout, Brooks, finds the pitcher of the century in Fraser: a top-notch pitcher and a very good hitter, too. The only problem is that Fraser has the mind of a pre-adolescent teen, whose goals are simple, but his temper and emotional needs get in the way.
The movie has a good premise, and the stars of the baseball diamond appear in many cameos (including Yankees mogul Steinbrenner) have a nice touch. The actors try to do a good job, but they just don't pull this movie off. There is no "believability" to it! I just don't buy it!
The only good scene where Fraser demonstrates his child-like anger is when he tells the photographer to, "stop taking pictures of me...weren't the first thirty-four enough?" His emotional attachment to Brooks is found early on, but the therapist's theory of "possible homocidal tendencies" towards Brooks is not brought out enough in the movie. There is no substance to this film. If you're a Fraser fan, you might enjoy this film, but I found little else of any value and no credibility in this film.
The movie has a good premise, and the stars of the baseball diamond appear in many cameos (including Yankees mogul Steinbrenner) have a nice touch. The actors try to do a good job, but they just don't pull this movie off. There is no "believability" to it! I just don't buy it!
The only good scene where Fraser demonstrates his child-like anger is when he tells the photographer to, "stop taking pictures of me...weren't the first thirty-four enough?" His emotional attachment to Brooks is found early on, but the therapist's theory of "possible homocidal tendencies" towards Brooks is not brought out enough in the movie. There is no substance to this film. If you're a Fraser fan, you might enjoy this film, but I found little else of any value and no credibility in this film.