I just can't say enough about Full Contact...the film is your typical Hong Kong revenge play, set against a backdrop of low-rent gangsters and seedy relationships. But it's the little things that really set this film apart: Ringo Lam is one of the few HK directors who has a decent grasp on how to use music in his films, not being as obsessed with Canto-pop inanities as his contemporaries; the body count is much lower than the typical bullets-n-bloodshed HK gangster film, thus giving each action scene an edge above other movies that end up reducing the impact of each death by trivializing them; Simon Yam's "viper queen" is a truly...different...kind of villain, one who makes you laugh while you're hoping he dies; the bit characters are better realized...I could go on and on.
In short, Full Contact is a real shock to the action fan's system: it has a visceral quality that so many action movies try for and miss. Ringo Lam's work is not for everybody, but if you're looking for the true edge of HK cinema (keep in mind that movie-goers in Honk Kong didn't like this film, as it was considered TOO dark and nasty by an audience used to this sort of thing, and not a soft, Western audience), here it is. Full Contact is the perfect English title for this brutal trip.
In short, Full Contact is a real shock to the action fan's system: it has a visceral quality that so many action movies try for and miss. Ringo Lam's work is not for everybody, but if you're looking for the true edge of HK cinema (keep in mind that movie-goers in Honk Kong didn't like this film, as it was considered TOO dark and nasty by an audience used to this sort of thing, and not a soft, Western audience), here it is. Full Contact is the perfect English title for this brutal trip.