*Possible spoilers*
"Predator" is arguably the best of the '80s/early '90s action bonanzas. Well-conceived, psychologically taut, visually vibrant and deeply entertaining, it has aged remarkably well.
The direction, screenplay, special effects, and general production values of "Predator" are just as muscular and confident as its cast. Even when the movie slips into excess (which it frequently does, with gratuitous flexing, absurdly over-the-top firefights, and unabashed macho banter), it does so with such a boisterous swagger that you can't help but hop on for the ride. This is film-making at its most self-assured and unapologetic. Director John McTiernan has said he set out to make a classic popcorn movie, and he succeeded in spades.
The story is surprisingly thematically strong, and believe it or not, it owes that to the depth of Schwartzenegger's character--a monster-movie hero who's actually on par with the monster. Every action hero has to have his requisite humanizing moments--it's par for the course. Smiles at a kid, saves a puppy, blah blah blah. But Dutch's are more effective than any other instances I can think of because they are so believable and unforced. "I don't do this kind of work," Dutch says indignantly after he learns his team ("We are a rescue team, not assassins.") has been duped into attacking a rebel camp on the pretense of rescuing hostages. It's really a great moment--a simple, unexaggerated statement of ethics--as tough as Dutch and his team look, they derive real pride from the fact that they are in the business (primarily) of saving lives rather than ending them. It's not shoved in our faces, we don't have to watch Dutch cradling a tattered child's doll in the wreckage or anything--it's just there. This crucial humanizing moment makes Dutch's struggle with the Predator all the more striking--he has to give in to that part of himself that he rejects early on in the movie: the aggressor, the killer, the hunter, the savage. He has to allow this part of himself to take over in order to survive.
The ensemble cast deserves kudos, too (especially Bill Duke in the performance of a lifetime as the smoldering Mac)--the film is much deeper and richer thanks to their spirited characterizations. We ACTUALLY CARE when these guys (who would be called "side characters" in most other action movies) are picked off by the malicious demon that hunts and haunts them. Again, the characterization is effective and feels genuine, which lends greater meaning to the central action of the movie. As screen writing formulas go, this is definitely not rocket science, and most action and horror films attempt it in some form or fashion, but surprisingly few do so successfully.
And, of course, the other star of "Predator"--the creature itself, is masterfully conceived and designed, both with and without the mask. It still stands (along with, yes, the Alien) as one of the coolest and most imaginative monsters ever put on film.
This is a very important movie to people (especially guys) of my generation--I remember re-watching it repeatedly when I was ten or eleven (probably too young!), totally fascinated and drawn in to the primal story of kill-or-be-killed. I can honestly say that this appeal has not dwindled one iota. If, like me, you grew up on "Predator," I highly recommend picking up the new DVD so you can see for yourself how well it has stood the test of time. If you haven't seen it and have any respect for action films or thrillers whatsoever, check it out.
"Predator" is arguably the best of the '80s/early '90s action bonanzas. Well-conceived, psychologically taut, visually vibrant and deeply entertaining, it has aged remarkably well.
The direction, screenplay, special effects, and general production values of "Predator" are just as muscular and confident as its cast. Even when the movie slips into excess (which it frequently does, with gratuitous flexing, absurdly over-the-top firefights, and unabashed macho banter), it does so with such a boisterous swagger that you can't help but hop on for the ride. This is film-making at its most self-assured and unapologetic. Director John McTiernan has said he set out to make a classic popcorn movie, and he succeeded in spades.
The story is surprisingly thematically strong, and believe it or not, it owes that to the depth of Schwartzenegger's character--a monster-movie hero who's actually on par with the monster. Every action hero has to have his requisite humanizing moments--it's par for the course. Smiles at a kid, saves a puppy, blah blah blah. But Dutch's are more effective than any other instances I can think of because they are so believable and unforced. "I don't do this kind of work," Dutch says indignantly after he learns his team ("We are a rescue team, not assassins.") has been duped into attacking a rebel camp on the pretense of rescuing hostages. It's really a great moment--a simple, unexaggerated statement of ethics--as tough as Dutch and his team look, they derive real pride from the fact that they are in the business (primarily) of saving lives rather than ending them. It's not shoved in our faces, we don't have to watch Dutch cradling a tattered child's doll in the wreckage or anything--it's just there. This crucial humanizing moment makes Dutch's struggle with the Predator all the more striking--he has to give in to that part of himself that he rejects early on in the movie: the aggressor, the killer, the hunter, the savage. He has to allow this part of himself to take over in order to survive.
The ensemble cast deserves kudos, too (especially Bill Duke in the performance of a lifetime as the smoldering Mac)--the film is much deeper and richer thanks to their spirited characterizations. We ACTUALLY CARE when these guys (who would be called "side characters" in most other action movies) are picked off by the malicious demon that hunts and haunts them. Again, the characterization is effective and feels genuine, which lends greater meaning to the central action of the movie. As screen writing formulas go, this is definitely not rocket science, and most action and horror films attempt it in some form or fashion, but surprisingly few do so successfully.
And, of course, the other star of "Predator"--the creature itself, is masterfully conceived and designed, both with and without the mask. It still stands (along with, yes, the Alien) as one of the coolest and most imaginative monsters ever put on film.
This is a very important movie to people (especially guys) of my generation--I remember re-watching it repeatedly when I was ten or eleven (probably too young!), totally fascinated and drawn in to the primal story of kill-or-be-killed. I can honestly say that this appeal has not dwindled one iota. If, like me, you grew up on "Predator," I highly recommend picking up the new DVD so you can see for yourself how well it has stood the test of time. If you haven't seen it and have any respect for action films or thrillers whatsoever, check it out.