The new MEI AH DVD "The Butterfly Murders" is a very welcome release, as the only time I have seen this debut effort by TSUI HARK was by watching a very poorly transferred VCD.
The story is confusing enough without having subtitles wholly obscured. That is what happened with the VCD.
The film seems to be only sympathetic towards two characters FONG the writer and a female warrior GREEN SHADOW. In turn they appear allied to the TIEN clan leader, who has also been invited to the SHUM castle.
The castle becomes another character - its exterior grim and barren when the main characters arrive, rather those in AGATHA CHRISTIE's "Ten little Indians". And when they are subjected to the first of many relentless attacks by butterflies, they find refuge underground.
The underground is a maze, with mysterious rooms suddenly appearing and concealing the butterflies themselves; arsenals of elaborate weapons, and so forth.
I wonder if we were not intended to be as confused as all those invited to the castle, to their deaths, as the film plays out: to know is to die, to quote Darius Jedburgh ("Edge of darkness," 1986).
This is one of the few HK films that I have seen that has thrown me re its plot and its characters: it took me a long time to really identify the actors and their characters. That said, I was very impressed with the staging of the action which is plentiful and varied; intrigued with the villain and his suit of body armour (it seemed something out of a Mario Bava slasher film), and quietly applauded the cynical ending, but was upset that once again the filmmakers should use so much Jerry Goldsmith ("Planet of the apes") and Ennio Morricone ("Moses") in the soundtrack.
An entertaining debut by Tsui Hark!
The story is confusing enough without having subtitles wholly obscured. That is what happened with the VCD.
The film seems to be only sympathetic towards two characters FONG the writer and a female warrior GREEN SHADOW. In turn they appear allied to the TIEN clan leader, who has also been invited to the SHUM castle.
The castle becomes another character - its exterior grim and barren when the main characters arrive, rather those in AGATHA CHRISTIE's "Ten little Indians". And when they are subjected to the first of many relentless attacks by butterflies, they find refuge underground.
The underground is a maze, with mysterious rooms suddenly appearing and concealing the butterflies themselves; arsenals of elaborate weapons, and so forth.
I wonder if we were not intended to be as confused as all those invited to the castle, to their deaths, as the film plays out: to know is to die, to quote Darius Jedburgh ("Edge of darkness," 1986).
This is one of the few HK films that I have seen that has thrown me re its plot and its characters: it took me a long time to really identify the actors and their characters. That said, I was very impressed with the staging of the action which is plentiful and varied; intrigued with the villain and his suit of body armour (it seemed something out of a Mario Bava slasher film), and quietly applauded the cynical ending, but was upset that once again the filmmakers should use so much Jerry Goldsmith ("Planet of the apes") and Ennio Morricone ("Moses") in the soundtrack.
An entertaining debut by Tsui Hark!