Wow, I thought the Japanese turned out some weird stuff nowadays. That lame crap has nothing on this wacky thing, which requires about 57 viewings to make any kind of narrative sense.
Jo Shishido (who has cheek implants (!!) that make him look like a chipmunk) is the third best killer in Japan. Apparently, all assassins in Japan do, other than kill people, is try to better themselves in the rankings. It's much like Pokemon, in a way. Jo strives to be number one, but, not only does he have to get past a bunch of backstabbers, he has to find the #1 Phantom, the high man on the totem. And when he does, it's rip roarin' nonsense time!
It's hard to tell if this is a work of genius or of pure insanity. There's no real narrative; more like a bunch of scenes held together by the fact they're all in the same movie. Some of the stuff is so nutty, it's hard not to call it brilliant, like when Jo finally does meet Phantom and they have a sit-down, Phantom pisses his pants rather than get up and take his eyes off Jo. Or the hit that gets foiled by a butterfly. Or Jo's girlfriend's obsession with dead bugs, which lay in piles on the floor. Or the shocking amount of sex and violence in a movie made in 1967. It's really no surprise that the director had his contract summarily terminated when the studio watched this: it is the weirdest movie to come out of Japan in 1967. Or maybe ever. Be prepared to watch more than once.
Jo Shishido (who has cheek implants (!!) that make him look like a chipmunk) is the third best killer in Japan. Apparently, all assassins in Japan do, other than kill people, is try to better themselves in the rankings. It's much like Pokemon, in a way. Jo strives to be number one, but, not only does he have to get past a bunch of backstabbers, he has to find the #1 Phantom, the high man on the totem. And when he does, it's rip roarin' nonsense time!
It's hard to tell if this is a work of genius or of pure insanity. There's no real narrative; more like a bunch of scenes held together by the fact they're all in the same movie. Some of the stuff is so nutty, it's hard not to call it brilliant, like when Jo finally does meet Phantom and they have a sit-down, Phantom pisses his pants rather than get up and take his eyes off Jo. Or the hit that gets foiled by a butterfly. Or Jo's girlfriend's obsession with dead bugs, which lay in piles on the floor. Or the shocking amount of sex and violence in a movie made in 1967. It's really no surprise that the director had his contract summarily terminated when the studio watched this: it is the weirdest movie to come out of Japan in 1967. Or maybe ever. Be prepared to watch more than once.