Would this film be quite so disappointing if it did not come from Hitchcock and after his run of masterpieces of the late fifties and early sixties? Well, perhaps not. There are at least two stunning scenes - the murder of the security agent is Hitchcock at his best; taut, exciting and disturbing, and the scene where the plot is explained to Paul Newman on a blackboard is both funny and touching. But, we demand more from a thriller - and particularly a thriller from Hitch - than two good scenes. We want action, suspense and involvement. How could anyone be involved with Julie Andrews, still in her "Maria Von Trapp" mode and irritatingly toothsome? Too much of the film seems lazy and tired, as if Hitch had given up on it half way through. Worth seeing for Hitchcock fans, who will enjoy one or two distinctive touches. But otherwise, an enormous disappointment. Even the ending is hopeless.
Review of Torn Curtain
