The younger generation of filmgoers, used to the antiseptic cleanliness of the multiplexes, may not realise that "fleapits" like the Bijou in "The Smallest Show On Earth" did actually exist in post-war Britain. Starved of resources during the war and with restrictions on non-essential building in force until the mid fifties, many small cinemas were in a very sorry state with broken seats, threadbare carpets, antiquated projection equipment and even torn and patched screens.
It is against this background that this charming comedy is set with wonderfully eccentric characters played by Peter Sellers, Margaret Rutherford and Bernard Miles.
The principal character is, however, the Bijou itself. This was a set, the exterior having been temporarily constructed between two railway bridges in Kilburn, a London suburb. The rival cinema, the Grand, was, in fact, a real cinema - the Gaumont at Hammersmith, also a London suburb. If you look closely, it is possible to see that the new name is rather clumsily superimposed.
To someone brought up in the fifties, this film brings back fond memories. To the younger viewers it gives an intriguing glimpse into the past by showing a way of life gone forever.
It is against this background that this charming comedy is set with wonderfully eccentric characters played by Peter Sellers, Margaret Rutherford and Bernard Miles.
The principal character is, however, the Bijou itself. This was a set, the exterior having been temporarily constructed between two railway bridges in Kilburn, a London suburb. The rival cinema, the Grand, was, in fact, a real cinema - the Gaumont at Hammersmith, also a London suburb. If you look closely, it is possible to see that the new name is rather clumsily superimposed.
To someone brought up in the fifties, this film brings back fond memories. To the younger viewers it gives an intriguing glimpse into the past by showing a way of life gone forever.