This film represents the quintessential metaphor for our spiritual unfolding in the modern world
14 May 2004
In contemporary life, where the struggles of power vie for our souls, I am constantly reminded of the passion that this film embodies. 'He Who Must Die' has become the quintessential metaphor for our spiritual unfolding in the modern world. The final scenes epitomize the existential dilemma of our lives: the fight for freedom and authenticity that too often puts us at odds with the practical accommodations of our community and the laws enforced by our rulers. This battle on behalf of humanity often results in rout, and yet we fight on with a fulfilled heart, the love of our comrades in arms and a belief in justice in spite of defeat and death. Jules Dassin was blacklisted by Joe McCarthy because he was willing to stand for his values. This film is perhaps his greatest acknowledgment of this struggle. Nikos Kazanzakis himself, summed it up: 'I fear nothing. I hope for nothing. I am free!'

I loved this film and fervently believe it should be re-released.
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