Sort of an early "Unforgiven" in some ways. Also similar to director Lewis' "Terror in a Texas Town" though thankfully not as goofy or campy. You get a real sense of the wild west slowly being tamed, of it making the uneasy transition from a violent, lawless land to a reasonably civilized place where law and order stand a chance. I liked Randolph Scott's metaphor for the town, that it's like a wild animal that keeps getting kicked, and sooner or later it's going to do more than just snarl and growl miserably; it's going to bite back.
Scott makes a good, twinkle-eyed loner hero and Angela Lansbury is quite attractive as his leggy showgirl love interest, (though she would begin playing mothers of grown children just a few years later) but their romance is rather obligatory and uninspired. Both the villains are effective, Warner Anderson as the unscrupulous (what else?)womanizing businessman and Michael Pate as the sinister gloved gunman (Lewis seems to have a thing about gunman wearing gloves). Anderson's line deliveries are extremely flat and matter of fact, which just makes him that much more detestable somehow. He's like a greed machine, no heart, no emotion whatsoever.
At first glance this may seem like no more than just another passable western, but it's got some meat on its bones. And Lewis really shines when it comes to building the suspense leading up to the inevitable bar room showdown between the bad guy and the good.
Scott makes a good, twinkle-eyed loner hero and Angela Lansbury is quite attractive as his leggy showgirl love interest, (though she would begin playing mothers of grown children just a few years later) but their romance is rather obligatory and uninspired. Both the villains are effective, Warner Anderson as the unscrupulous (what else?)womanizing businessman and Michael Pate as the sinister gloved gunman (Lewis seems to have a thing about gunman wearing gloves). Anderson's line deliveries are extremely flat and matter of fact, which just makes him that much more detestable somehow. He's like a greed machine, no heart, no emotion whatsoever.
At first glance this may seem like no more than just another passable western, but it's got some meat on its bones. And Lewis really shines when it comes to building the suspense leading up to the inevitable bar room showdown between the bad guy and the good.