While watching this delightful farce, I was surprised to notice that Leo ("Braganza") Carillo's leather cuffs are each decoratively studded with a large swastika. This is, of course, a ubiquitous ancient sacred symbol which had only positive connotations before the Nazis appropriated it, but by the time this movie was made, it certainly had political implications. Was costume designer Omar Kiam merely employing a local graphic motif, or was he slipping in a pro-fascist symbol in the same way that SubGenius sympathizers placed the face of J.R. "Bob" Dobbs almost unnoticeably in the background of David Letterman's and Pee Wee Herman's original stage sets?
Review of The Gay Desperado
