Captain Blood (1935)
10/10
Flynn and Curtiz at their best
5 February 2003
"Captain Blood" represents the best qualities of Hollywood's 1930's swashbucklers. It was the first of twelve films that Errol Flynn made with Michael Curtiz and Warner Brothers, and maximized many of the now familiar staples of the genre: a totally likeable hero, beautiful locales, rousing fights, remarkably detailed sets, and lighthearted romance. But it also outdoes most of today's action flicks with its sharp, witty dialogue, and use of intrigue in the story that keeps the viewer interested in more than just the action.

The script by Casey Robinson (who did uncredited rewriting on Curtiz's "Casablanca") gives Flynn's character a sympathetic edge; he is not simply a muscular hero battling the bad guys, but also an intelligent and caring man who uses his wits to assist the less fortunate. Flynn is remembered today almost exclusively as an action star, but many of the scenes in "Captain Blood," particularly the ones developing his relationship with Olivia de Havilland's character, show that he had much more range. It's even more amazing to note that this was his first lead role, after only a few minor parts in earlier films; he shows remarkable confidence and ease in every scene.

Critics and audiences often overlook Curtiz when composing lists of the all-time great directors, perhaps because he was treated like a hired hand at Warners, basically doing whatever the studio assigned him. But after watching several of his films, it's easy to see that he had a very distinct visual style; he always stayed focused on the characters, even during the action scenes, never letting himself get distracted by the sumptuous settings that frequently appeared in his movies. He also kept his camera up close during the fights so that we see every swish of the sword. `Captain Blood' remains one of the brightest of Hollywood's many spectacles.
13 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed