Features the 1977 Edinburgh International Festival with a new production of Carmen, the experimental shows, Film Festival, Television Festival, and art galleries.
In the 17th century Troilus and Cressida was censored and in the 18th century Tate gave King Lear a happy ending. The programme debates the line between interpretation and vandalism.
George Melly explores his lifelong relationship with surrealism in all its forms and prominent personalities; Henry Moore discusses Leonardo da Vinci's anatomical drawings.