I remember this series very fondly. I'm pretty sure it was written by Peter Tilbury as well as staring him although IMDb doesn't say who wrote the series, perhaps someone out there knows? As ITV have never repeated the (two?) series I can't tell! And by the way, what has happened to Peter Tilbury since 1993? The early Shelly episodes were written by him and Shelly must rate as one of the funniest British comedy series ever. It Takes a Worried Man doesn't sound like the subject of a comedy, being the story of a man recently divorced a worried about every thing from losing his hair to losing his job, but somehow it worked and it helped that the main character was actually likable and you wanted him to succeed. Come on ITV / Granada / whoever, how 'bout some repeats?
11 Reviews
A witty and literate comedy series
ben-lenthall17 November 2007
This series was incredibly literate and funny. It's a tragedy that it hasn't been seen since. With so many tired repeats aired, surely it can't be difficult to get the necessary clearances for this to be seen again.
Peter Tilbury is impressive as the intelligent worker who'd rather not (work that is ) and whose intelligence prevents him from taking his desk bound duties seriously, Christopher Benjamin compelling as the boss who's unable to do more than harbour the suspicion that his employee does as little work as possible. A gem of eighties comedy based on disengagement from society.
Peter Tilbury is impressive as the intelligent worker who'd rather not (work that is ) and whose intelligence prevents him from taking his desk bound duties seriously, Christopher Benjamin compelling as the boss who's unable to do more than harbour the suspicion that his employee does as little work as possible. A gem of eighties comedy based on disengagement from society.
A neglected gem
timsmith3724 August 2012
IMDb rating system is beyond baffling - how can an arithmetic mean of 8.6 and a median of 9 possibly equate to a weighted average of 4.2?!
This was a fantastic series. If any aspiring comedy writers take the trouble to watch this, they will see that Peter Tilbury's technique defies every single piece of received wisdom on sitcom writing. The plots are wafer thin, Philip Roath seldom finds himself up a tree that he has to get down from, there is precious little conflict to be resolved and it is all tell and no show: most of the laughs come from the characters we never see: Gerald, the analyst's boyfriend, the boss's Mohican son-in-law, and Napley's delinquent sprog.
Tilbury's central performance is workmanlike; the comparison with Hywel Bennet who took the part he had written for himself in Shelley, is interesting. ITAWM demonstrates the advantages of having the writer deliver his own lines; Tilbury knows exactly what he is trying to achieve. But Shelley shows how a great actor can lift a script with a performance that exceeds the writer's vision.
The supporting performances, particularly from Benjamin and the wonderful Le Prevost, are excellent.
This was a fantastic series. If any aspiring comedy writers take the trouble to watch this, they will see that Peter Tilbury's technique defies every single piece of received wisdom on sitcom writing. The plots are wafer thin, Philip Roath seldom finds himself up a tree that he has to get down from, there is precious little conflict to be resolved and it is all tell and no show: most of the laughs come from the characters we never see: Gerald, the analyst's boyfriend, the boss's Mohican son-in-law, and Napley's delinquent sprog.
Tilbury's central performance is workmanlike; the comparison with Hywel Bennet who took the part he had written for himself in Shelley, is interesting. ITAWM demonstrates the advantages of having the writer deliver his own lines; Tilbury knows exactly what he is trying to achieve. But Shelley shows how a great actor can lift a script with a performance that exceeds the writer's vision.
The supporting performances, particularly from Benjamin and the wonderful Le Prevost, are excellent.
Classic British Comedy
wpaul-113 March 2005
In reply to another posting, no you are not on your own remembering this series, As well as starring Peter Tilbury, it was written by him as was the dead pan humour of "Shelley" with Hywel Benett.
The last series saw him find a soul mate in Sue Holderness who also fitted just perfectly with the idea that everyday, everything was going to go wrong
Brilliant Sitcom with good old British sense of humour and I wish that someone would release this and the early Shelly on DVD or Video as I would love to see them again, comedies like these were always shown at varying times as sport etc would always take precedence over a good laugh, so much for English producers sense of entertainment.
The last series saw him find a soul mate in Sue Holderness who also fitted just perfectly with the idea that everyday, everything was going to go wrong
Brilliant Sitcom with good old British sense of humour and I wish that someone would release this and the early Shelly on DVD or Video as I would love to see them again, comedies like these were always shown at varying times as sport etc would always take precedence over a good laugh, so much for English producers sense of entertainment.
Peter Tlibury an unsung hero
geoff-872-11552416 October 2010
To my mind, Peter Tilbury is one of the unsung heroes of UK TV script writing, His scripts were always funny, erudite, moving and, above all, intelligent. Some of the monologues written for the Shelley series, as well as the characterisations, were stunning. A dry downbeat humour that always hit the spot.
In the "worried man" series I still remember his visits to his psychiatrist where he ended up acting as counsellor rather than the counselled (the psychiatrist was always having problems with his partner Gerald and his love for muesli - "trudging through all those oats").
The very fact that I can remember so much from the series and Shelley pays tribute to the excellence of his writing.
Then of course, a few years later, was the Chef series, with Lenny Henry. Equally stunning. I always wondered if Peter was a genuine foodie or if he carried out meticulous research (e.g looking for the one unpasteurised Stilton still being mad Now, thank heavens, a reality in Stichelton).
Where is he and writers like him these days?
In the "worried man" series I still remember his visits to his psychiatrist where he ended up acting as counsellor rather than the counselled (the psychiatrist was always having problems with his partner Gerald and his love for muesli - "trudging through all those oats").
The very fact that I can remember so much from the series and Shelley pays tribute to the excellence of his writing.
Then of course, a few years later, was the Chef series, with Lenny Henry. Equally stunning. I always wondered if Peter was a genuine foodie or if he carried out meticulous research (e.g looking for the one unpasteurised Stilton still being mad Now, thank heavens, a reality in Stichelton).
Where is he and writers like him these days?
Does Make A Comedy Out of a (Mid-Life) Crisis
colleenhawkins9 December 2011
The good news is that Network DVD are planning to issue all 3 series of "It Takes A Worried Man" on DVD, with Series 1 already available. The even better news is that - having just watched Series 1 again for the first time since it was broadcast - it's still as witty and as literate as I remember it being. Peter Tilbury never dumbs down his writing, paying his audience the compliment of assuming that they're intelligent and cultured enough to enjoy even the cleverest of his characters' witticisms, much as he did when he wrote the marvellous early episodes of "Shelley".
I just wish someone could explain to me why a comedy show as brilliant as "It Takes A Worried Man" currently only has an IMDb rating of 3.8/10. An injustice that inexplicable ought to be enough to make worried men and women of us all!
I just wish someone could explain to me why a comedy show as brilliant as "It Takes A Worried Man" currently only has an IMDb rating of 3.8/10. An injustice that inexplicable ought to be enough to make worried men and women of us all!
It's not Shelley!
khunkrumark24 March 2017
(This review is based on the first series.)
'It Takes a Worried Man' seems to have attracted some good reviews from people who remember it from back in the early eighties. I'm almost certain that those reviews would change if those same contributors had seen this sitcom again more recently.
Unfortunately, this series seems to come off as a flat 'stand-up' routine that's been re-written for a six-part TV show. It revolves around Philip Roath (Peter Tilbury) who is a selfish, lazy man in his thirties. The weak gags bounce off the one- dimensional characters in his life which include his boss, a colleague, a secretary, a girlfriend and a shrink... none of whom are allowed to develop enough to engage our attention and affection.
Particularly annoying is the late (and otherwise talented) Andrew Tourell doing his impersonation of the brilliant Doc 'Feeling a bit chesty?' Morrissy from the Reggie Perrin sitcom.
It isn't clear who the main character is trying to relate to as he's too young to be complaining about being bald and losing his teeth... especially as he has a full set of both! This makes the stodgy script come off as disingenuous.
Finally, there's nothing happening in between the monologues and there's no story arc to cling to. The entire series' premise is just Roath's ramblings which soon get wearisome because there's nothing else to maintain the interest of the viewer.
The writer (who also plays the main role in this) had better success with another sit-com, 'Shelley', but even that was due mostly to the enormous talent of the lead, Hywel Bennett.
'It Takes a Worried Man' seems to have attracted some good reviews from people who remember it from back in the early eighties. I'm almost certain that those reviews would change if those same contributors had seen this sitcom again more recently.
Unfortunately, this series seems to come off as a flat 'stand-up' routine that's been re-written for a six-part TV show. It revolves around Philip Roath (Peter Tilbury) who is a selfish, lazy man in his thirties. The weak gags bounce off the one- dimensional characters in his life which include his boss, a colleague, a secretary, a girlfriend and a shrink... none of whom are allowed to develop enough to engage our attention and affection.
Particularly annoying is the late (and otherwise talented) Andrew Tourell doing his impersonation of the brilliant Doc 'Feeling a bit chesty?' Morrissy from the Reggie Perrin sitcom.
It isn't clear who the main character is trying to relate to as he's too young to be complaining about being bald and losing his teeth... especially as he has a full set of both! This makes the stodgy script come off as disingenuous.
Finally, there's nothing happening in between the monologues and there's no story arc to cling to. The entire series' premise is just Roath's ramblings which soon get wearisome because there's nothing else to maintain the interest of the viewer.
The writer (who also plays the main role in this) had better success with another sit-com, 'Shelley', but even that was due mostly to the enormous talent of the lead, Hywel Bennett.
A great downbeat sitcom
dan-74428 February 2005
I remember this series very fondly. Great performances all round, not just Peter Tibury but also Christopher Benjamin and Nicholas Le Prevost. I was probably much too young for this show when it first aired - I was a teenager and it was all about a mid-life crisis if I remember correctly, but somehow it struck a chord. Fans of this show probably also enjoyed Agony, Shelley and Reginald Perrin. (Well I did anyway.) I would love to see this show again - I wonder how well it has held up after all these years. I think the closest thing to this type of comedy more recently was Paul Whitehouse's Happiness which I also loved. His new series HELP has just started and that looks very promising.
Don't Worry, Be Happy.
buckaroobanzai505 August 2003
Am I the only one who seems to remember this vague series? As I recall, it was about a married/bored/husband/dad, played by Peter Tilbury, who seemed to moan and groan about life and everything in general. Sounds like good material for a sitcom eh? The title sequence was excellent, and featured an animated picture of Mr Tilbury, which rapidly split and fell apart.
Hmmm?
Hmmm?
underwear
nwitsend20 November 2003
I certainly remember this series. Though I saw only a few episodes, the series sticks in my mind because in most of them, it was essential to the script that the elegant Sue Holderness strip off to her undies.
Another series, Chance in a Million, with Simon Callow, was memorable for the same reason (as well as for being very funny), though in that one it was the Oscar-winning Brenda Blethyn who couldn't keep her clothes on.
Cheers
Nick
Another series, Chance in a Million, with Simon Callow, was memorable for the same reason (as well as for being very funny), though in that one it was the Oscar-winning Brenda Blethyn who couldn't keep her clothes on.
Cheers
Nick
Hilarious
Adrian Sweeney15 September 2019
Peter Tilbury is not unlike a (very, very) British version of Woody Allen, endlessly complaining about life, death, the universe, his love-life, his boring job and vanishing hair. Nicholas Le Provost is his alleged therapist, who doesn't listen but instead complains to him about his own love-life and his other patients. Christopher Benjamin is his boss, who ought to sack him but grudgingly admires his lack of work-ethic and complains to him about the modern world and his daughter's awful boyfriend.
Struck by memories of people quoting lines at school I've just watched the first series and found it hilarious. I don't know why; it just has an alchemy. The dialogue is great and Tilbury, Benjamin and Le Provost are brilliant in delivery but I still can't say why often relatively ordinary lines cracked me up quite as much as they did. Somewhere online I once found someone who'd worked on the show reminiscing about the very cameramen cracking up, the only time he'd seen professionals do that, so it isn't just me.
It shouldn't work! It's just people sitting around yakking! But it does.
Struck by memories of people quoting lines at school I've just watched the first series and found it hilarious. I don't know why; it just has an alchemy. The dialogue is great and Tilbury, Benjamin and Le Provost are brilliant in delivery but I still can't say why often relatively ordinary lines cracked me up quite as much as they did. Somewhere online I once found someone who'd worked on the show reminiscing about the very cameramen cracking up, the only time he'd seen professionals do that, so it isn't just me.
It shouldn't work! It's just people sitting around yakking! But it does.
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