Trying to move on with her life, a teen returning to a small town with her feuding family and old friends tries to catch up with them about what they've been doing since she's been away, but when the festivities are crashed by a masked killer has to find the reason for the rampage and stop him.
This was a fairly fun slasher that does have a few drawbacks. What works rather well here is the somewhat intriguing setup that provides a great small-town folklore for the resulting shenanigans. The initial story about the childhood interactions with the figure offers a touch of the local lore in the area with how they first encountered the story of the mythical figure offers a fine way to wrap this localized figure around the secondary story about the struggles of the family and meeting up with her old friends still in town. These are fine enough at presenting the traditional returning towns member who's trying to catch up with the comings and goings of her old crew about how much they've changed since she's been away storyline while still keeping just enough of a focus on the killer running around the outskirts of the situation to make the traditional slasher setup worthwhile. There's also a rather fun series of immensely fun encounters where the imposing killer takes to the random friends and townspeople she crosses paths with. The initial encounters here, whether the confrontation with the harbinger under the pier or the stellar confrontation with the drunken bride and bridesmaid out on the town, provide a strong starting point to get to know the brutality of the killer here. As it takes far more increasingly brutal and graphic confrontations later on such as the rampage in a neon-lit nightclub or a series of bashings that take place at a seaside gathering, the action here becomes incredibly fun with plenty of atmospheric stalking, brutal kills, and some enjoyable one-liners to add some comedy to the proceedings. Combined with the frantic finale where the reveal of the killer comes across rather nicely with a fleshed-out backstory alongside some standout chases, there's quite a lot to like here. The film doesn't have much wrong with it but there are some issues. One of the main detriments is the rather British context for what's going on here that can get lost in translation. This is quite important as it includes why the killer dons the specific mask or how it ties into the motivation for everything at the end which is a bit too localized to have much universal appeal or recognition. Those that will get it won't have an issue here, while an equally problematic and more accessible one is the irritating ability to always have the killer attack others in pairs which results in one standing around watching as the killer takes out one of them. It happens several times throughout here and is equally frustrating everytime it occurs here, and alongside the somewhat sluggish first half setting up the plotlines to come that are necessary for everything even in this context are what hold this down slightly.
Rated Unrated/R: Extreme Graphic Language, Graphic Violence, Brief Nudity, and drug use.
This was a fairly fun slasher that does have a few drawbacks. What works rather well here is the somewhat intriguing setup that provides a great small-town folklore for the resulting shenanigans. The initial story about the childhood interactions with the figure offers a touch of the local lore in the area with how they first encountered the story of the mythical figure offers a fine way to wrap this localized figure around the secondary story about the struggles of the family and meeting up with her old friends still in town. These are fine enough at presenting the traditional returning towns member who's trying to catch up with the comings and goings of her old crew about how much they've changed since she's been away storyline while still keeping just enough of a focus on the killer running around the outskirts of the situation to make the traditional slasher setup worthwhile. There's also a rather fun series of immensely fun encounters where the imposing killer takes to the random friends and townspeople she crosses paths with. The initial encounters here, whether the confrontation with the harbinger under the pier or the stellar confrontation with the drunken bride and bridesmaid out on the town, provide a strong starting point to get to know the brutality of the killer here. As it takes far more increasingly brutal and graphic confrontations later on such as the rampage in a neon-lit nightclub or a series of bashings that take place at a seaside gathering, the action here becomes incredibly fun with plenty of atmospheric stalking, brutal kills, and some enjoyable one-liners to add some comedy to the proceedings. Combined with the frantic finale where the reveal of the killer comes across rather nicely with a fleshed-out backstory alongside some standout chases, there's quite a lot to like here. The film doesn't have much wrong with it but there are some issues. One of the main detriments is the rather British context for what's going on here that can get lost in translation. This is quite important as it includes why the killer dons the specific mask or how it ties into the motivation for everything at the end which is a bit too localized to have much universal appeal or recognition. Those that will get it won't have an issue here, while an equally problematic and more accessible one is the irritating ability to always have the killer attack others in pairs which results in one standing around watching as the killer takes out one of them. It happens several times throughout here and is equally frustrating everytime it occurs here, and alongside the somewhat sluggish first half setting up the plotlines to come that are necessary for everything even in this context are what hold this down slightly.
Rated Unrated/R: Extreme Graphic Language, Graphic Violence, Brief Nudity, and drug use.