Review of Samsara

Samsara (I) (2023)
6/10
Unsatisfied feelings after screening, despite or maybe due to the high praises read beforehand. Middle chapter left me nowhere, assumedly merely strange just to be strange
20 March 2024
Despite, or maybe due to, many high praises, I left the venue unsatisfied after the screening. I assume this movie is not suited for me. I could have known beforehand, with all the ominous words (meditative, moody, let yourself be carried away by image and sound, and so on) prominently present in synopsis and reviews, terms I usually avoid when booking tickets.

I appreciate the logic flow and division in three parts. The first part is enlightening and colorful, for more reasons than the orange cloths worn generally. I found the middle part the least convincing and rather a bit far-fetched. In my opinion showing something different just to be different, merely to let reviewers write about it. The third part is very down-to-earth, needing a better finale, anyway something else than a goat stranded in the middle of nowhere, with a red cord still attached as a silent reminder that humanity failed in proper care for a dumb animal entrusted to them. So far for an overview of my findings. Now for some more detail.

The first chapter shows interesting things about Buddhism and reincarnation, things we already knew but still relevant to mention. That is especially true when said by youngsters who are not brainwashed nor paid to tell these things, but talk from the heart, based on an inner sort of belief. The boy, for instance, who daily reads from a book for an ailing lady with bad eyesight, does it with an express purpose, namely guiding her to enter the process where the spirit separates from the body. As per common belief, she will then enter an "in between" state for which one better can be prepared. Implicitly, we hear other testimonies along this line, things where these youngsters firmly believe in.

The actual "in between" phase is expressed by a multitude of colors and sounds, leaving me nowhere, wondering where this is coming from and what it means. I endured it, partly with eyes closed (as instructed) partly with eyes opened (in disbelief why this was meant to tell us something). As I said before, I probably am not the right person to watch this, failing to feel along with the filmmaker's intentions. I'm a certified nerd, which can offer all the reasons you need to explain my experience.

For the third part we moved to a totally different world, Islamic and in Zambia. The implicit suggestion is that aforementioned elderly lady reincarnated into a goat. Apart from that, we get some details about life there, none very enlightening but anyway. For instance, we hear women complain that harvesting seaweed is not profitable anymore, and that they expect this even to become worse. That is why this sort of work is done by women (they say), as men always choose more profitable means of earning a living.

Compared with the first chapter, where we got some good insights in Buddhism, this third chapter is relatively superficial and outright trivial in existential issues. The child and "her" goat, connected via a long red cord, may be considered a cute couple, but it brings us nowhere. Even worse, she loses the goat eventually, resulting in a sad, wandering animal, stranded in the middle of nowhere, with little hope of being rescued. The still attached red cord works as a dangling reminder of an earlier attachment to humanity, who failed in taking proper care for an animal entrusted to them.

All in all, an original concept but that is all I can say about it. I know I'm contradicting the overall positive judgments I've read everywhere about this movie, but I don't care.
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