This low-budget, atomic-age, science-fiction film did make it to the movie theaters, but it also gives off a very ominous, TV-movie-look, when watching the film. Unfortunately, to make things even worse, you still can't find a copy of Panic in the City (1968), in its original theatrical version. According to IMDB, the film was shot in the 1.66:1 aspect ratio, but the only versions available, come from a television SD, 4:3 version, found on YouTube, thus emphasizing the cheapness. Panic in the City (1968), has a lot of potential, even though it is low-budget. The 4:3 aspect ratio is the problem, when it comes to properly judging it. The film probably would garner more respect, if it was remastered into HD. It does have a very good cast, veteran acting, starts off pretty good and has a strange parallel to the Dark Knight Rises (2012). What that parallel is, I can't tell you. You'll have to find out on your own. The supporting cast consists of acting names from film and TV-past, like John Hoyt, Dennis Hopper, Mike Farrell (M*A*S*H*, 1972-1983), Deanna Lund (Land of the Giants, 1968-1970) and the ravishing, Linda Cristal, who plays the main-female lead to Howard Duff's, Agent Pomeroy.
Panic in the City (1968), is another atomic-age, Cold War, action movie, about bad-guys making an atomic bomb in Los Angeles and the American agents trying to stop them. Can the good-guys save the day? Paul Dunlap, the music composer for Panic in the City (1968), also did the soundtrack music, for the Three Stooges/Curly Joe DeRita, theatrical films, of the 1960s. What really hurts Panic in the City (1968), are the strange, but oddly interesting, film-technique choices, that director Eddie Davis, chooses for this film. The pace of the film is slow in parts. Too much time is wasted, watching people walking to cars and driving around parking lots. The film has a very plastic feel to its style, because it is produced in a textbook, but low-budget way. There are some confusing camera shots, set-piece locations (everything looked like the scenes were shot at the houses and offices of the cast and crew). There are also some odd editing choices, that re-emphasized the low-budget elephant-in-the-room. One glaring mistake found in a scene, has a car chase happening, but all the shots in the middle of the chase, look like the exact same curve, shot three times. Panic in the City (1968), has the potential to be good, but there are some negative points.
PMTM Grade: 5.9 (D) = 6 IMDB.
Panic in the City (1968), is another atomic-age, Cold War, action movie, about bad-guys making an atomic bomb in Los Angeles and the American agents trying to stop them. Can the good-guys save the day? Paul Dunlap, the music composer for Panic in the City (1968), also did the soundtrack music, for the Three Stooges/Curly Joe DeRita, theatrical films, of the 1960s. What really hurts Panic in the City (1968), are the strange, but oddly interesting, film-technique choices, that director Eddie Davis, chooses for this film. The pace of the film is slow in parts. Too much time is wasted, watching people walking to cars and driving around parking lots. The film has a very plastic feel to its style, because it is produced in a textbook, but low-budget way. There are some confusing camera shots, set-piece locations (everything looked like the scenes were shot at the houses and offices of the cast and crew). There are also some odd editing choices, that re-emphasized the low-budget elephant-in-the-room. One glaring mistake found in a scene, has a car chase happening, but all the shots in the middle of the chase, look like the exact same curve, shot three times. Panic in the City (1968), has the potential to be good, but there are some negative points.
PMTM Grade: 5.9 (D) = 6 IMDB.