All the negative reviews put me off watching this for years but I thought I'd finally give it a whirl and discovered something instantly engaging and entertaining. It's no GODFATHER but it's certainly not rubbish.
So why are there so many negative reviews? Being so (relatively) well-know makes it an easier target to shoot down. Lesser known and vastly inferior early talkies such as CHARMING SINNERS or FRAMED slip under the radar and escape such vitriol. Being made in 1928 does obviously make it look old-fashioned but that goes with the territory - it's a 1920s musical with 1920s actors, what do expect? I wonder whether its detractors have seen other films from the late twenties other than M and UN CHIEN ANDALOU? This was never meant to be a work of art, it was just fun: entertainment for the masses. Clearly it's not in the same league as the wonderful GOLD DIGGERS OF 1933 but it's actually better than GOLD DIGGERS OF 1937!
For maximum popular appeal it used a well trodden story - two sisters both in love with the same man so don't expect anything remotely original. What I wasn't expecting but got was such a strong emotional story. Bessie Love's performance at the climax of the film is genuinely heartbreaking. It's a remarkably sensitive and nuanced performance with an intensity you wouldn't normally get in a light comedy - extremely well acted. It's a happy ending, she's laughing but for us the viewer, we're almost crying. Unlike the Busby Berkeley classics from the time of The Depression, this was made in the optimistic and progressive late twenties. It is therefore really quite upsetting to know that the plans and dreams of these characters are probably not going to find their happy ending.
If you like films from the early thirties you will like this. It's a lot better than most 1920s talkies, it's a lot better than a lot of early thirties movies too. If you're familiar with old films you'll find it almost impossible to believe how well made and well acted this "first ever" talkie is considering the cinematic trash (including 69 copy-cat musicals in 1929 alone!) that was to follow. Considering nobody really had a clue how to make a talking picture at the start of the year the result is amazing. It has a sweet endearing charm about it, it's emotionally engaging, it's got a building tension, it's fun and sad - what more could you want? Obviously the filming is a quite static, the story is cliched and the songs are horrible but overall it's thoroughly enjoyable and entertaining.
So why are there so many negative reviews? Being so (relatively) well-know makes it an easier target to shoot down. Lesser known and vastly inferior early talkies such as CHARMING SINNERS or FRAMED slip under the radar and escape such vitriol. Being made in 1928 does obviously make it look old-fashioned but that goes with the territory - it's a 1920s musical with 1920s actors, what do expect? I wonder whether its detractors have seen other films from the late twenties other than M and UN CHIEN ANDALOU? This was never meant to be a work of art, it was just fun: entertainment for the masses. Clearly it's not in the same league as the wonderful GOLD DIGGERS OF 1933 but it's actually better than GOLD DIGGERS OF 1937!
For maximum popular appeal it used a well trodden story - two sisters both in love with the same man so don't expect anything remotely original. What I wasn't expecting but got was such a strong emotional story. Bessie Love's performance at the climax of the film is genuinely heartbreaking. It's a remarkably sensitive and nuanced performance with an intensity you wouldn't normally get in a light comedy - extremely well acted. It's a happy ending, she's laughing but for us the viewer, we're almost crying. Unlike the Busby Berkeley classics from the time of The Depression, this was made in the optimistic and progressive late twenties. It is therefore really quite upsetting to know that the plans and dreams of these characters are probably not going to find their happy ending.
If you like films from the early thirties you will like this. It's a lot better than most 1920s talkies, it's a lot better than a lot of early thirties movies too. If you're familiar with old films you'll find it almost impossible to believe how well made and well acted this "first ever" talkie is considering the cinematic trash (including 69 copy-cat musicals in 1929 alone!) that was to follow. Considering nobody really had a clue how to make a talking picture at the start of the year the result is amazing. It has a sweet endearing charm about it, it's emotionally engaging, it's got a building tension, it's fun and sad - what more could you want? Obviously the filming is a quite static, the story is cliched and the songs are horrible but overall it's thoroughly enjoyable and entertaining.