Roy "Rock Hudson" Fitzgerald is brought to life in the most nuanced, 'flesh-out' form possible after all these years.
Aimed to be non-exploitative, the docu lets us understand the paradox of life living behind the created facade of all-American straight stud that 'all women wanted' and all men 'wanted to be'.
He learned how to be a star. It took many more years to be comfortable winking at and living in both worlds. Not a fusion of both. Not a modern out life.
In an instant he could go from his gay circle and all those who 'knew', plus the times he was out around around in public with boyfriends etc. - and did not give a damn who saw what and knew (as long as no pics to publish, please) and kept the 'secret' to his public star personna.
Armistead Maupin was a confident and bud in later years and tried to persuade have RH toward a path toward coming out, years before RH and aids. That was one thing RH would not do.
There are significant new interviews presented with so many important persons in RH personal and professional life, whom were available when the film was made.
We have affection look at Elizabeth Taylor's close friendship from the time of "GIANT". And then what about James Dean ... frenemies with RH and that's all that can be gotten of Dean and Rock in those brief days before Dean died just before that film was finished.
Of course I was still quite interested about RH early days in Hollywood. That is brought to life well, as it follows toward RH breakout and as a big star, being pushed into having 'beard' stories let into the celeb gossip mags, and then into a marriage. Lots of a few intimate friends a few lovers or close buds who could be interviewed and were very candid. Much appreciated more of their stories could be told.
Questions about why, what of Phyllis Gates still float around. Robert Hofler, author of "The Man Who Invented Rock Hudson: The Pretty Boys and Dirty Deals of Henry Willson" made it clear that Phyllis Gates, to him, Gates was a 'blackmailer' and gay (he did not say bi). So the marriage arrangement crashed and burned. Never again for Rock. He forged his own life, a way to be comfortable in his own body, in his own circles and still deliver the goods to 'Hollywood. The dirt and inuendo stopped flowing on RH. The celeb. Gossip press (infamously to those who understood) before, were offered up dirt on more reclusive and not as big a star, Tab Hunter, for backing off on stories about Rock.
Archival materials are included which have never been seen by the public. Beyond expected articles and film, we see many personal pics of RH and friends and lovers at most relaxed, unguarded moments.
The most distinctive aspect of this documentary is the use of clips from so many of RH movies as prescient, revealing, biting commentary on RH's life. Funny, amazing lines, some dramatic commentary on his own life and fate (perhaps) and some so much like a little coming out. Stunning clips - they did their homework going thu RH films closely!
It just worked out that way somehow. Taken out of context of his films plots, they are amazingly autobiographic.
Aimed to be non-exploitative, the docu lets us understand the paradox of life living behind the created facade of all-American straight stud that 'all women wanted' and all men 'wanted to be'.
He learned how to be a star. It took many more years to be comfortable winking at and living in both worlds. Not a fusion of both. Not a modern out life.
In an instant he could go from his gay circle and all those who 'knew', plus the times he was out around around in public with boyfriends etc. - and did not give a damn who saw what and knew (as long as no pics to publish, please) and kept the 'secret' to his public star personna.
Armistead Maupin was a confident and bud in later years and tried to persuade have RH toward a path toward coming out, years before RH and aids. That was one thing RH would not do.
There are significant new interviews presented with so many important persons in RH personal and professional life, whom were available when the film was made.
We have affection look at Elizabeth Taylor's close friendship from the time of "GIANT". And then what about James Dean ... frenemies with RH and that's all that can be gotten of Dean and Rock in those brief days before Dean died just before that film was finished.
Of course I was still quite interested about RH early days in Hollywood. That is brought to life well, as it follows toward RH breakout and as a big star, being pushed into having 'beard' stories let into the celeb gossip mags, and then into a marriage. Lots of a few intimate friends a few lovers or close buds who could be interviewed and were very candid. Much appreciated more of their stories could be told.
Questions about why, what of Phyllis Gates still float around. Robert Hofler, author of "The Man Who Invented Rock Hudson: The Pretty Boys and Dirty Deals of Henry Willson" made it clear that Phyllis Gates, to him, Gates was a 'blackmailer' and gay (he did not say bi). So the marriage arrangement crashed and burned. Never again for Rock. He forged his own life, a way to be comfortable in his own body, in his own circles and still deliver the goods to 'Hollywood. The dirt and inuendo stopped flowing on RH. The celeb. Gossip press (infamously to those who understood) before, were offered up dirt on more reclusive and not as big a star, Tab Hunter, for backing off on stories about Rock.
Archival materials are included which have never been seen by the public. Beyond expected articles and film, we see many personal pics of RH and friends and lovers at most relaxed, unguarded moments.
The most distinctive aspect of this documentary is the use of clips from so many of RH movies as prescient, revealing, biting commentary on RH's life. Funny, amazing lines, some dramatic commentary on his own life and fate (perhaps) and some so much like a little coming out. Stunning clips - they did their homework going thu RH films closely!
It just worked out that way somehow. Taken out of context of his films plots, they are amazingly autobiographic.
- at World Premiere, Tribeca Film Festival June 11.