For the past few years horror films have become incredibly stagnant as a result of the continual rehashing of the same old tired genres: we constantly see endless zombie films, as well as countless vampire and "demonic possession" plotlines that have become increasingly derivative. Last night I saw "Swallowed," and it was refreshing to see director and writer Carter Stevens actually make an attempt to step out of the box and create something different for a change. In 2006 I saw an earlier short by Stevens called "Bugcrush" that dealt with a similar idea, but "Swallowed" has obviously expanded and reworked it.
"Swallowed's" storyline begins with two best friends, Benjamin (Cooper Koch) and Dom (Jose Colon) who reside in a small Maine town and are celebrating in a local bar. A clearly naive Benjamin has plans to move to Los Angeles, where he's convinced he'll become a successful porn star. Unbeknownst to him, Dom has arranged to supply his buddy with extra cash before he leaves by agreeing to become a drug runner as they drive across the border that night.
The film progresses and its mood becomes more intense and claustrophobic as the two young men are forced at gunpoint into swallowing the unknown, condom-encased drugs Dom agreed to smuggle by a demanding young woman (Jena Malone) who wants them delivered to her dealer by any means possible. Eventually things become more nightmarish when they realize not only the results of what they've actually swallowed, but that the drug dealer they finally encounter (Mark Patton) turns out to be an emotionally disturbed, perverse old queen intent on preying on Benjamin. I've left quite a few details out here, but that's as far as I'll go in revealing any more of the film's plot in order to avoid spoilers.
Unlike another reviewer here, I'm not sure I agree that this film necessarily falls into anything that resembles Cronenberg's "body horror" category, but I'll agree it comes close. For a low-budget production, both Carter Stevens' script and direction are tight, suspenseful, and never become predictable. The film is also beautifully photographed. What did stand out the most for me were the calibre of the performances, which I felt were unusually powerful for an independent horror film. Both Koch and Colon (the latter who has apparently never been in a film before, at least according to IMDB) are excellent. Mark Patton is grotesquely effective and believable and as the mannered, psychopathic drug dealer. Jena Malone is also very strong, although I thought at times her character was drawn a little too one-dimensionally.
Like just about any horror film, I did think there were some weaknesses in "Swallowed." Despite a considerable buildup emphasizing how important it was for the characters to hide the drugs in order to travel past the border, the resulting border scene itself only consisted of a very brief conversation with a patrol officer and then it was over. The quick, painless conversation provided no suspense or explanation as to why the character needed to swallow the drugs in the first place, other than to advance the film's plot. Secondly, "Swallowed" (certainly emphasized by Mark Patton's very strong performance) once again portrays the tired stereotype of the older gay man preying on the younger. Lastly, there is a cheery and strangely pat "epilogue" that felt tacked on to the end credits. Not only did it seem somewhat jarring to the film's earlier tone, but it also seemed totally unfeasible. Again, giving more details would only reveal more of "Swallowed's plot.
These are small elements. "Swallowed" is worth seeing, especially compared to the anemic offerings we're being offered from the current horror genre. There's enough tension and suspense in this feature to make it worthwhile viewing.
"Swallowed's" storyline begins with two best friends, Benjamin (Cooper Koch) and Dom (Jose Colon) who reside in a small Maine town and are celebrating in a local bar. A clearly naive Benjamin has plans to move to Los Angeles, where he's convinced he'll become a successful porn star. Unbeknownst to him, Dom has arranged to supply his buddy with extra cash before he leaves by agreeing to become a drug runner as they drive across the border that night.
The film progresses and its mood becomes more intense and claustrophobic as the two young men are forced at gunpoint into swallowing the unknown, condom-encased drugs Dom agreed to smuggle by a demanding young woman (Jena Malone) who wants them delivered to her dealer by any means possible. Eventually things become more nightmarish when they realize not only the results of what they've actually swallowed, but that the drug dealer they finally encounter (Mark Patton) turns out to be an emotionally disturbed, perverse old queen intent on preying on Benjamin. I've left quite a few details out here, but that's as far as I'll go in revealing any more of the film's plot in order to avoid spoilers.
Unlike another reviewer here, I'm not sure I agree that this film necessarily falls into anything that resembles Cronenberg's "body horror" category, but I'll agree it comes close. For a low-budget production, both Carter Stevens' script and direction are tight, suspenseful, and never become predictable. The film is also beautifully photographed. What did stand out the most for me were the calibre of the performances, which I felt were unusually powerful for an independent horror film. Both Koch and Colon (the latter who has apparently never been in a film before, at least according to IMDB) are excellent. Mark Patton is grotesquely effective and believable and as the mannered, psychopathic drug dealer. Jena Malone is also very strong, although I thought at times her character was drawn a little too one-dimensionally.
Like just about any horror film, I did think there were some weaknesses in "Swallowed." Despite a considerable buildup emphasizing how important it was for the characters to hide the drugs in order to travel past the border, the resulting border scene itself only consisted of a very brief conversation with a patrol officer and then it was over. The quick, painless conversation provided no suspense or explanation as to why the character needed to swallow the drugs in the first place, other than to advance the film's plot. Secondly, "Swallowed" (certainly emphasized by Mark Patton's very strong performance) once again portrays the tired stereotype of the older gay man preying on the younger. Lastly, there is a cheery and strangely pat "epilogue" that felt tacked on to the end credits. Not only did it seem somewhat jarring to the film's earlier tone, but it also seemed totally unfeasible. Again, giving more details would only reveal more of "Swallowed's plot.
These are small elements. "Swallowed" is worth seeing, especially compared to the anemic offerings we're being offered from the current horror genre. There's enough tension and suspense in this feature to make it worthwhile viewing.