An FBI agent escorting a murderer who's an ex military, traveling on a plane. In the middle of the Pacific the plane is about to crash due severe weather and mechanical problems. In the worst part of the about-to-crash situation the FBI agent has his cellphone in a hand (Why?). Due the to bumps, the phone drops to the plane floor.
A normal personal would hold, wait and keep safe, ignoring the phone, knowing you're not only responsible for your life but for others since you're ESCORTING A MURDERER.
But in this movie, the FBI agents removes his seatbelt and goes, against everyone's advice, looking for his phone. A phone that won't do any good since YOU'RE IN THE MIDDLE OF THE PACIFIC anyhow.
What happens next is that the FBI agent is killed after a serious plane's bump. Also a steward is killed trying to sit the FBI agent down.
The perfect scene for an audience that spends more time looking at their phones than real life around them. Without a question, that audience will find this scene very relatable.
This scene defines the entire movie: All situations in this movie follow that same logic with the adding of drug cartels, a drunk hero pilot who badly needs to shave, annoying passengers who complaint because nobody rescues them in 30 minutes, a low cost airplane company hiring expensive mercenaries, and a long and sad etc.
Movie could've been good, but they took it so many steps down so the young (and low IQ) audiences could follow the plot.
Steven Seagal's movies are more realistic than this. Imagine that.
A normal personal would hold, wait and keep safe, ignoring the phone, knowing you're not only responsible for your life but for others since you're ESCORTING A MURDERER.
But in this movie, the FBI agents removes his seatbelt and goes, against everyone's advice, looking for his phone. A phone that won't do any good since YOU'RE IN THE MIDDLE OF THE PACIFIC anyhow.
What happens next is that the FBI agent is killed after a serious plane's bump. Also a steward is killed trying to sit the FBI agent down.
The perfect scene for an audience that spends more time looking at their phones than real life around them. Without a question, that audience will find this scene very relatable.
This scene defines the entire movie: All situations in this movie follow that same logic with the adding of drug cartels, a drunk hero pilot who badly needs to shave, annoying passengers who complaint because nobody rescues them in 30 minutes, a low cost airplane company hiring expensive mercenaries, and a long and sad etc.
Movie could've been good, but they took it so many steps down so the young (and low IQ) audiences could follow the plot.
Steven Seagal's movies are more realistic than this. Imagine that.