In this film, women keep getting murdered after receiving a phone call to ascertain their whereabouts, and each time, a crescent moon medallion is left in their hands. At first there seems to be no connection, until it's realized that all of the women happened to stay at the same hotel one night several years earlier. One victim escapes, fakes her own death, and sets off to find the killer... but will he find her first?
The main strength of "Seven Blood-Stained Orchids" was its tightly-woven "whodunnit" mystery plot, which contained tons of red herrings but felt much more coherent than many other movies in this genre. It played out in such a way that there was no real way the viewer could beat the camera to the big reveal in terms of deduction, but it still felt engaging throughout. I also thought the main characters were all quite likeable, and I especially appreciated the surprisingly good survival instincts of the main hero and heroine -- not a trait this type of character often has. The kills were suitably thrilling, the acting was good, and the music was solid without being a standout. The opening title track, "Ozarks", might be an exception to that statement, as its groovy base line strikes a great balance between sinister menace and smooth funk.
The only real negative I have to say about it is that the movie felt a bit lacking in artistry on the visual front. Most of my prior experience with gialli is that they're visually incredible, but the plot is a bit of a mess. This movie takes the polar opposite route, with almost no memorable or striking visual moments but a plot that feels tightly-scripted. Also, because so much of the film relies on the "whodunnit" element, I can't imagine that this movie would be particularly engaging as a rewatch in the same way that something like "Blood Red" or "All The Colors of the Dark" are.
All told, maybe not one to buy sight-unseen, but if you can rent or stream it somewhere, it's absolutely worth a watch at least once.
The main strength of "Seven Blood-Stained Orchids" was its tightly-woven "whodunnit" mystery plot, which contained tons of red herrings but felt much more coherent than many other movies in this genre. It played out in such a way that there was no real way the viewer could beat the camera to the big reveal in terms of deduction, but it still felt engaging throughout. I also thought the main characters were all quite likeable, and I especially appreciated the surprisingly good survival instincts of the main hero and heroine -- not a trait this type of character often has. The kills were suitably thrilling, the acting was good, and the music was solid without being a standout. The opening title track, "Ozarks", might be an exception to that statement, as its groovy base line strikes a great balance between sinister menace and smooth funk.
The only real negative I have to say about it is that the movie felt a bit lacking in artistry on the visual front. Most of my prior experience with gialli is that they're visually incredible, but the plot is a bit of a mess. This movie takes the polar opposite route, with almost no memorable or striking visual moments but a plot that feels tightly-scripted. Also, because so much of the film relies on the "whodunnit" element, I can't imagine that this movie would be particularly engaging as a rewatch in the same way that something like "Blood Red" or "All The Colors of the Dark" are.
All told, maybe not one to buy sight-unseen, but if you can rent or stream it somewhere, it's absolutely worth a watch at least once.