As "The Velvet Underground" (2021 release; 115 min.) opens, we are introduced to young Lou Reed, whose family moved out to Long Island when he was 7, the start of a long journey that eventually sees him landing in Manhattan in the early 60s. We then shift to John Cale's background and early life in Wales, where he learns the viola. He ends up in New York in 1963. The movie reminds us what life in New Yok was like in the early 60s: "we are not counter-culture, we ARE the culture." At this point we are 10 min into the film.
Couple of comments: this is the latest film from acclaimed director Todd Haynes ("I'm Not There", "Carol", "Dark Wates"). In other words: this pretty much guaranteed that this would not be your typical rock documentary . It's also not just about the Velvet Underground, but the whole New York arts scene in the 1960s including Andy Warhol's Factory. "It was Andy Warhol who made the first album possible", claims a talking head (implying that without the famous cover art and with Nico's presence, the debut album would've never seen the light of day). Ah yes, Nico. She gets her due as well, and then some. Along the way we get treated to a slew of rare if ever before seen film footage and photos from that era. The first hour of this documentary, which carries us up and through 1965, is a perfect 5 stars, and had me just watching in complete fascinations with it all. The second hour of the documentary is not nearly as good. Much of the talking heads' (including surviving members John Cale and Maureen Tucker) interviews was filmed in 2018. (Did you know that Jackson Browne regularly played with Nico during her early solo gigs?)
"The Velvet Underground" premiered at this year's Cannes Film Festival to immediate critical acclaim, and Apple TV eagerly snapped it up. The movie was released in select theaters for a limited run, and thankfully my art-house theater here in Cincinnati had it in its lineup as from this weekend. The Saturday matinee show where I saw this at was attended so-so (7 people in total including myself). If you are a fan of the Velvet Underground or are simply interested in a slice of rock history. I'd readily suggest you check this out, be it in the theater (while you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
Couple of comments: this is the latest film from acclaimed director Todd Haynes ("I'm Not There", "Carol", "Dark Wates"). In other words: this pretty much guaranteed that this would not be your typical rock documentary . It's also not just about the Velvet Underground, but the whole New York arts scene in the 1960s including Andy Warhol's Factory. "It was Andy Warhol who made the first album possible", claims a talking head (implying that without the famous cover art and with Nico's presence, the debut album would've never seen the light of day). Ah yes, Nico. She gets her due as well, and then some. Along the way we get treated to a slew of rare if ever before seen film footage and photos from that era. The first hour of this documentary, which carries us up and through 1965, is a perfect 5 stars, and had me just watching in complete fascinations with it all. The second hour of the documentary is not nearly as good. Much of the talking heads' (including surviving members John Cale and Maureen Tucker) interviews was filmed in 2018. (Did you know that Jackson Browne regularly played with Nico during her early solo gigs?)
"The Velvet Underground" premiered at this year's Cannes Film Festival to immediate critical acclaim, and Apple TV eagerly snapped it up. The movie was released in select theaters for a limited run, and thankfully my art-house theater here in Cincinnati had it in its lineup as from this weekend. The Saturday matinee show where I saw this at was attended so-so (7 people in total including myself). If you are a fan of the Velvet Underground or are simply interested in a slice of rock history. I'd readily suggest you check this out, be it in the theater (while you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.