Close-Up is an okay film noir with several points of interest.
Alan Baxter stars as Phil Sparr, a newsreel reporter busily filming models outside of a bank.
Later on, he is approached by a man who explains he was photographed with a woman not his wife during the modeling session, and he begs for the film. He gets it, but it's not enough - he wants the negative too.
Turns out Phil accidentally filmed an escaped Nazi known as The Butcher exiting the bank, and the chase is on to retrieve the film.
What I enjoyed about this movie, although it was very grainy was all the New York locations. The other thing I liked were the things we old-timers take for granted that are gone, like pay phones, newsreels (though I'm really not old enough to remember them), and men wearing hats.
Virginia Gilmore, who reminded me of Jane Greer, plays a magazine writer attempting to do a story on the newsreel office.
Alan Baxter, who later moved into character roles, was very likeable. The acting was okay, but the atmosphere and locations really made this film.
Alan Baxter stars as Phil Sparr, a newsreel reporter busily filming models outside of a bank.
Later on, he is approached by a man who explains he was photographed with a woman not his wife during the modeling session, and he begs for the film. He gets it, but it's not enough - he wants the negative too.
Turns out Phil accidentally filmed an escaped Nazi known as The Butcher exiting the bank, and the chase is on to retrieve the film.
What I enjoyed about this movie, although it was very grainy was all the New York locations. The other thing I liked were the things we old-timers take for granted that are gone, like pay phones, newsreels (though I'm really not old enough to remember them), and men wearing hats.
Virginia Gilmore, who reminded me of Jane Greer, plays a magazine writer attempting to do a story on the newsreel office.
Alan Baxter, who later moved into character roles, was very likeable. The acting was okay, but the atmosphere and locations really made this film.