There's no point in discussing the details of this farce, but for various reasons involving wartime rationing and shortages, Hosiery manufacturer Leon Errol winds up with his mansion occupied not only by the usual people, but a bevy of chorines, pompous, judgmental Clarence Kolb and his wife, inventor Richard Lane and Elaine Riley, who's simultaneously Errol's secretary and Lane's fiancée. Also, Kolb thinks Errol is married to Veda Ann Borg, the head of the chorus girls, and that Errol's wife is his house keeper.
Don't worry too much about it, because like all of Errol's starring features in this period - except for the Mexican Spitfires - it looks much like two or three of his shorts stitched together, and the pleasure is watching Errol going through his various shticks in rapid succession, which he does, except for his rubber-legs routine. It's co-written by Errol's frequent writer, Charles Robert's, and director Leslie Goodwins and editor Edward Williams keep things bumping along for a brisk 71 minutes.
Don't worry too much about it, because like all of Errol's starring features in this period - except for the Mexican Spitfires - it looks much like two or three of his shorts stitched together, and the pleasure is watching Errol going through his various shticks in rapid succession, which he does, except for his rubber-legs routine. It's co-written by Errol's frequent writer, Charles Robert's, and director Leslie Goodwins and editor Edward Williams keep things bumping along for a brisk 71 minutes.