Parker Posey's first starring role has her as a girl in the East Village Club scene. Her life is slipping out of control, and she's broke, so she goes to work in the library managed by her godmother, Sasha von Scherler (the mother of the movie's director, Daisy von Scherler Mayer), while trying to continue in the club scene. However the tensions of dawning adulthood with the ever-adolescent culture cause problem.
In the end, there's a strong normative component to this movie, as well as an attempt to update the screwball comedy, with mixed results. Miss Posey is an energetic stick of dynamite in this movie, which follows the arc of the entitled comic hero who kicked kicked by the world until she changes to deal with the world, through the omnipotence of the Dewey Decimal System. The wit of the movie is visual and situational; the young people's dialogue has a deliberately clueless and banal tone to it. Although the movie's pace and tone, combined with Miss Posey's performance, give it a liveliness that carried me through to the end, it lacks much to say except "Grow up!"
In the end, there's a strong normative component to this movie, as well as an attempt to update the screwball comedy, with mixed results. Miss Posey is an energetic stick of dynamite in this movie, which follows the arc of the entitled comic hero who kicked kicked by the world until she changes to deal with the world, through the omnipotence of the Dewey Decimal System. The wit of the movie is visual and situational; the young people's dialogue has a deliberately clueless and banal tone to it. Although the movie's pace and tone, combined with Miss Posey's performance, give it a liveliness that carried me through to the end, it lacks much to say except "Grow up!"