Ayako Wakao visits Michiyo Kogure. Like Miss Kogure, Miss Wakao's mother was a geisha, and now she wishes to be an apprentice. After sorting through the girl's situation, including a father who's impoverished, Miss Kogure accepts her old friend's daughter. The expense is managed by a loan from the woman who runs the largest tea house in town, and Miss Wakao seems to have a brilliant future in front of her.... until she bites a client who tries to rape her.
Kenji Mizoguchi's movie is not actually about Miss Wakao, who at 20 appears to be half a dozen years younger. It is about the elegant Miss Kogure and the discovery.... no, the re-awakening of her revulsion at the dirty side of what is supposed to be an elegant business. At the time, a 15-year veteran of the movies, she had entered at the same age Miss Wakao was now, and had lately been playing major character roles, like the acidic wife in THE FLAVOR OF GREEN TEA OVER RICE. Here, it's a pleasure to watch her grow as a human being in Mizoguchi's always outraged phillipic about the poor position of women in old Japan and new.
Kenji Mizoguchi's movie is not actually about Miss Wakao, who at 20 appears to be half a dozen years younger. It is about the elegant Miss Kogure and the discovery.... no, the re-awakening of her revulsion at the dirty side of what is supposed to be an elegant business. At the time, a 15-year veteran of the movies, she had entered at the same age Miss Wakao was now, and had lately been playing major character roles, like the acidic wife in THE FLAVOR OF GREEN TEA OVER RICE. Here, it's a pleasure to watch her grow as a human being in Mizoguchi's always outraged phillipic about the poor position of women in old Japan and new.