Review of Satya

Satya (1998)
9/10
Understandably Rated Amongst the Greatest; Must Watch
6 July 2020
Satya is a master class in filmmaking. From the beginning to the end, the movie is raw and gripping. Despite the weighty subject matter, it never comes close to evincing the melodrama that is common in Indian movies today. So many of RGV's choices stand out as unique even today; the scenes where no BGM plays, the "documentary style" shots of Mumbai that add to the content of the story, and the intentionally mysterious Satya character. I particularly enjoyed how naturally the love arc between Satya and Vidya is created (as well as the action of both actors in these bits), the realistic informalism with which Bhiku Mhatre's gang is shown to operate (along with M. Bajpayee's outstanding action), and the music throughout the film.

The strengths of this film are well known but I'll state them one more time. The screenplay is incredibly natural and well structured. For example, the scenes where the new commissioner character is introduced and the background is given on him flow well along with the more specific narrative of Satya's rise in Mhatre's gang. The dark, quiet, almost chilling cinematography sets the tone of the movie, which is to be taken seriously. The music + background music is of course an all time great. I'm glad RGV was forced to have music in the film. Perhaps the most fun part is recognizing all the great current actors and assistants who got their break with this movie (Bajpayee, Kashyap, Sushant Singh, and so many others.
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