This version of the story is a musical. when this was introduced on Turner Classics, Michael Feinstein discussed the background of the song-writing team Myrow and Gordon. June Haver, Vera-Ellen, and Vivian Blaine are the Charter sisters, who leave the farm to go man-hunting. They have limited funds, so just like in moon over miami, one will play the rich girl, while the others will be maid and secretary. seems overly complicated, but adds mystery to the plot. it's a predecessor to how to marry a millionaire, but a successor to three blind mice and moon over miami. all similar stories, where the girls pool their resources and hope to find a (rich) hubby before they run out of cash. at one point, one of the farm girls even says you can be just as happy with a rich guy as a poor one... in true marilyn monroe style, which she quoted in both gentlemen prefer blonds and how to marry a millionaire, both in 1953. again, just like in moon over miami, there are some twists and surprises, when the girls are caught in their scheme. Not really a fan of this 1946 version; it's a period piece, takes place around 1900. I'd have to say How to Marry a Millionaire is best, and Moon over Miami is next. some of the songs they sing here just bring the story to a screeching halt. the dance on the giant piano keyboard is clever, but SO out of place in this film. another odd decision. doesn't help the story any. feels like they had a collection of songs they were determined to use, whether they fit the story or not. Directed by Bruce Humberstone. and oddly, Mack Gordon, one of the song writers is also producer and writer. he sure earned his pay on this one. it's okay, but nothing too special. the best part is a 29 year old Celeste Holm, so young and skinny. just four years later, she will be nominated for her role in All about Eve.
Review of Three Little Girls in Blue
