Though dated by modern standards, When Ladies Meet carried a popular message in the early part of the 20th century. It also carried a controversial argument, and both sides are explored in the film: can a wife and a mistress calmly and rationally solve their differences? If that seems interesting to you, rent this version-not the remake.
Myrna Loy stars as a young, modern authoress who has fallen in love with her publisher, Frank Morgan. He's married, but Myrna's never met his wife, and from her point of view, he's unhappy at home. She decides to prove her point to the world by writing her next novel based on her current situation with a twist ending of wishful thinking; in the end of her novel, the young woman confronts the man's wife and explains how much she loves him. The wife is gracious and realizes the sensible thing would be to give her husband a divorce, and all parties are happy. The trouble is, no one likes Myrna's unpublished manuscript. Frank claims it's unrealistic, as does Myrna's ardent and often rebuffed suitor, Robert Montgomery.
I won't tell you exactly what happens next, but I will say that Myrna gets a chance to test her theory with Frank's wife, Ann Harding. Before I saw this version, I tried watching the 1941 remake but couldn't get through it; now I know it was because the film was badly cast. In place of him who's so innocent she doesn't really know what she's doing is Joan Crawford. In place of the man so in love with her he refuses to look at another woman is Robert Taylor. In place of the married publisher who gets caught up in his emotions and isn't capable of rationality is Herbert Marshall. In place of the discarded wife who couldn't keep his interest at home is Greer Garson. How are any of these choices believable?
The 1933 original is very well cast and very believable. Myrna nails the attitude of a young person certain in her convictions without knowing what they are, and yet she's not so irritating you can't forgive her for her ignorance. Frank Morgan seems troubled, and it's totally believable he might not know exactly what he wants. Ann Harding is plain enough to make you understand why Frank has strayed, but she's strong enough to make you believe she'll put up a fight. This version is very good, so if you want to watch a representation of a bygone era check it out.
Myrna Loy stars as a young, modern authoress who has fallen in love with her publisher, Frank Morgan. He's married, but Myrna's never met his wife, and from her point of view, he's unhappy at home. She decides to prove her point to the world by writing her next novel based on her current situation with a twist ending of wishful thinking; in the end of her novel, the young woman confronts the man's wife and explains how much she loves him. The wife is gracious and realizes the sensible thing would be to give her husband a divorce, and all parties are happy. The trouble is, no one likes Myrna's unpublished manuscript. Frank claims it's unrealistic, as does Myrna's ardent and often rebuffed suitor, Robert Montgomery.
I won't tell you exactly what happens next, but I will say that Myrna gets a chance to test her theory with Frank's wife, Ann Harding. Before I saw this version, I tried watching the 1941 remake but couldn't get through it; now I know it was because the film was badly cast. In place of him who's so innocent she doesn't really know what she's doing is Joan Crawford. In place of the man so in love with her he refuses to look at another woman is Robert Taylor. In place of the married publisher who gets caught up in his emotions and isn't capable of rationality is Herbert Marshall. In place of the discarded wife who couldn't keep his interest at home is Greer Garson. How are any of these choices believable?
The 1933 original is very well cast and very believable. Myrna nails the attitude of a young person certain in her convictions without knowing what they are, and yet she's not so irritating you can't forgive her for her ignorance. Frank Morgan seems troubled, and it's totally believable he might not know exactly what he wants. Ann Harding is plain enough to make you understand why Frank has strayed, but she's strong enough to make you believe she'll put up a fight. This version is very good, so if you want to watch a representation of a bygone era check it out.