Why oh why do directors insist on a grey filter? It doesn't add atmosphere, it just drains any life and colour from the screen.
Even when the sun was shining through the train windows, it was dull and grey inside. In the five-star hotel where the lighting was vibrant, the filter ruined the scene.
The scenes of London from high up were dull, even though the sun was reflected in the windows of a distant building.
Okay, enough of that moan, here comes a bigger one - There is absolutley no chemistry between the two lead characters. They don't have any likeable characteristics.
For the female audience, it was no coincidence the lead actor looks like Jamie Dornan from 'Fifty Shades of Grey'.
The script was totally predictable, so how this got made is beyond me. I almost forgot, it's the BBC and they give their friends plenty of projects.
As Vivian stated in 'The Young Ones' many years ago: "Bored, bored, bored, bored, bored."
Even when the sun was shining through the train windows, it was dull and grey inside. In the five-star hotel where the lighting was vibrant, the filter ruined the scene.
The scenes of London from high up were dull, even though the sun was reflected in the windows of a distant building.
Okay, enough of that moan, here comes a bigger one - There is absolutley no chemistry between the two lead characters. They don't have any likeable characteristics.
For the female audience, it was no coincidence the lead actor looks like Jamie Dornan from 'Fifty Shades of Grey'.
The script was totally predictable, so how this got made is beyond me. I almost forgot, it's the BBC and they give their friends plenty of projects.
As Vivian stated in 'The Young Ones' many years ago: "Bored, bored, bored, bored, bored."