The main attraction of 'Suzy' for me was the cast, namely Jean Harlow (a very charming actress who died far too young with so much more to give) and Cary Grant (have always loved him, both in comedy and drama). The story also sounded interesting, though there was the worry from the sounds of it of whether it would try to do too much, and my love for classic film, and film in general of all genres and decades, played a big factor further.
'Suzy' turned out to be a worthwhile film with a lot working in its favour, the cast being one of the main assets. It is uneven and there are a few knocks against it (story-related mainly, am not going to go into the whole lack of authenticity in the accents, decided to suspend my disbelief on that one and judged the actors by their overall performance). But generally 'Suzy' is a film deserving of more credit than it gets. It was the only feature film pairing of Harlow and Grant, and judging from their work and chemistry one does wish they did more films together.
As said, 'Suzy' is not perfect in the story. Do think it tries to do too much in balancing too many tones that it left some confused spots. The start is on the slow side.
More problematic was, as has been said, the too coincidence heavy and sometimes silly third act.
However, 'Suzy' is nicely photographed and the outtakes from 'Hell's Angel' that formed the flying sequences were exciting and didn't look cheap or stock. The music fits well and the film is directed with good balance and control. The song "Did I Remember" is one of the film's highlights. The script provokes thought and both entertains and intrigues.
Likewise with the story, which comes to life once the action gets to Paris and has fun and tension, as well as a solid pace. The tension and pathos of the character chemistry, romantic or not, really elevates the film, as does the surprisingly well rounded characters. Characters that are all round beautifully played, as said decided to ignore the accents. With accents it for me is always less forgivable when the rest of the performance isn't good. Harlow is her usual charming self and Grant is surprisingly comfortable and credible as an amoral cad (the complete opposite of his usual roles). Franchot Tone has fun in his role and Lewis Stone brings moving, understated dignity to his.
In conclusion, pretty good. 7/10 Bethany Cox
'Suzy' turned out to be a worthwhile film with a lot working in its favour, the cast being one of the main assets. It is uneven and there are a few knocks against it (story-related mainly, am not going to go into the whole lack of authenticity in the accents, decided to suspend my disbelief on that one and judged the actors by their overall performance). But generally 'Suzy' is a film deserving of more credit than it gets. It was the only feature film pairing of Harlow and Grant, and judging from their work and chemistry one does wish they did more films together.
As said, 'Suzy' is not perfect in the story. Do think it tries to do too much in balancing too many tones that it left some confused spots. The start is on the slow side.
More problematic was, as has been said, the too coincidence heavy and sometimes silly third act.
However, 'Suzy' is nicely photographed and the outtakes from 'Hell's Angel' that formed the flying sequences were exciting and didn't look cheap or stock. The music fits well and the film is directed with good balance and control. The song "Did I Remember" is one of the film's highlights. The script provokes thought and both entertains and intrigues.
Likewise with the story, which comes to life once the action gets to Paris and has fun and tension, as well as a solid pace. The tension and pathos of the character chemistry, romantic or not, really elevates the film, as does the surprisingly well rounded characters. Characters that are all round beautifully played, as said decided to ignore the accents. With accents it for me is always less forgivable when the rest of the performance isn't good. Harlow is her usual charming self and Grant is surprisingly comfortable and credible as an amoral cad (the complete opposite of his usual roles). Franchot Tone has fun in his role and Lewis Stone brings moving, understated dignity to his.
In conclusion, pretty good. 7/10 Bethany Cox