Karin (Harriet Andersson) has recently been released from an asylum having undergone electroconvulsive therapy. She returns to her isolated family home and rejoins her father, writer David (Gunnar Björnstrand), teenage brother Minus (Lars Passgård) and husband Martin (Max von Sydow), with whom she has an awkward sexual relationship. In fact, she seems more flirtatious with Minus, who is confused by his feelings for her. Unable to sleep one night, she finds and reads David's notes about her 'incurable' condition, and his desire to record her 'disintegration.'
This is a Swedish film directed by Ingmar Bergman in bitingly bleak black and white. The only cast are the four characters, and the only setting is their remote island home, which Bergman manages to make both idyllic and claustrophobic at the same time. Karin's decline is slow, and she is lucid enough to be tortured by it.
Also tortured of course, are those around her. There is an impotence about Karin's family, as quite clearly they do not know how to handle the prospect of her instability - but in the case of David, has his detachment contributed to Karin's inability to relate to her own husband? Or has she always been unreachable? We never know, despite the very talky nature of the production (and the English subtitles). The fact that Karin's condition seems to be the reason Minus and his father finally grow close is scant reason for celebration.
People are flawed.
A very intense, open-ended study in human behaviour.
This is a Swedish film directed by Ingmar Bergman in bitingly bleak black and white. The only cast are the four characters, and the only setting is their remote island home, which Bergman manages to make both idyllic and claustrophobic at the same time. Karin's decline is slow, and she is lucid enough to be tortured by it.
Also tortured of course, are those around her. There is an impotence about Karin's family, as quite clearly they do not know how to handle the prospect of her instability - but in the case of David, has his detachment contributed to Karin's inability to relate to her own husband? Or has she always been unreachable? We never know, despite the very talky nature of the production (and the English subtitles). The fact that Karin's condition seems to be the reason Minus and his father finally grow close is scant reason for celebration.
People are flawed.
A very intense, open-ended study in human behaviour.