"Loveless" (2017 release from Russia; 127 min.) brings the story of Boris and Zhenya and their 12 yr. old son Alexey. As the movie opens, school les out and Alexey takes the long way home, through a nearby park. At home, we quickly learn that Zhenya and Boris are going through a bitter and antagonizing divorce. They argue relentlessly, all the while thinking Alexey doesn't hear them But he hears them all too well... Boris and Zhenya are already in new relationships. Then one day, Alexey doesn't come home from school. Where could he be? Can Boris and Zehnya patch their personal differences in looking for their son? To tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this is the latest movie from Russian writer-director Andrey Zvyagintsev, who previously brought us such excellent films like 2012's Oscar-nominated Leviathan, and 2011's Elena. In "Loveless", he goes a very different direction, examining modern day life in Moscow with its endless apartment buildings, and the correlating urban loneliness. The very bitter feelings between Boris and Zhenya are at times shocking, but feel very real. The two Russian actors playing the roles of Boris and Zhenya are unknown to me, but are nothing short of outstanding. I absolutely love how Zvyagintsev chooses a camera angle and setup, and then simply lets the scene unfold. Check the lunch scene between Boris and his co-worker, where they discuss their company's policy on divorce, all playing out over several minutes in a single take without any camera angle changes. The second half of the movie, focusing on the search for Alexey, is simply chilling and by the end of the movie I was emotionally spent. That is of course a dead giveaway that I was emotionally involved and invested in the movie, the sign of a top quality movie, "Loveless" was nominated at this year's Oscars for Best Foreign Language Movie, but did not win. I have now seen all 5 of the Oscar nominated movies in this category, and with all due respect to the Oscar winner "A Fantastic Woman", I have no doubt in my mind that "Loveless" is a better movie, and should've won. Alas, I am also quite certain that quite a few of the Oscar voters were turned off by the very bleak nature of "Loveless", in fact quite the opposite of "A Fantastic Woman". After the thinly-veiled criticism of the Russian authorities in "Leviathan", it came as no surprise that the Russian government refused any funding for "Loveless", so Zvyagintsev had to obtain funding from elsewhere (mostly Western Europe).
"Loveless" premiered at last year's Cannes festival to immediate critical acclaim. It finally opened at my local art-house theater here in Cincinnati this weekend, and I couldn't wait to see it. The Sunday early evening screening where I saw this at was attended dismally (4 people in total, including myself). That is a darn shame. Hopefully this movie will gain a wider audience as it gets distributed on various platforms. If you are in the mood for a devastating family drama movie that is nothing short of top-notch, I encourage you to check it out, be it in the theater (while you still can), on VOD, or eventually on DVD/Blu-ray.
Couple of comments: this is the latest movie from Russian writer-director Andrey Zvyagintsev, who previously brought us such excellent films like 2012's Oscar-nominated Leviathan, and 2011's Elena. In "Loveless", he goes a very different direction, examining modern day life in Moscow with its endless apartment buildings, and the correlating urban loneliness. The very bitter feelings between Boris and Zhenya are at times shocking, but feel very real. The two Russian actors playing the roles of Boris and Zhenya are unknown to me, but are nothing short of outstanding. I absolutely love how Zvyagintsev chooses a camera angle and setup, and then simply lets the scene unfold. Check the lunch scene between Boris and his co-worker, where they discuss their company's policy on divorce, all playing out over several minutes in a single take without any camera angle changes. The second half of the movie, focusing on the search for Alexey, is simply chilling and by the end of the movie I was emotionally spent. That is of course a dead giveaway that I was emotionally involved and invested in the movie, the sign of a top quality movie, "Loveless" was nominated at this year's Oscars for Best Foreign Language Movie, but did not win. I have now seen all 5 of the Oscar nominated movies in this category, and with all due respect to the Oscar winner "A Fantastic Woman", I have no doubt in my mind that "Loveless" is a better movie, and should've won. Alas, I am also quite certain that quite a few of the Oscar voters were turned off by the very bleak nature of "Loveless", in fact quite the opposite of "A Fantastic Woman". After the thinly-veiled criticism of the Russian authorities in "Leviathan", it came as no surprise that the Russian government refused any funding for "Loveless", so Zvyagintsev had to obtain funding from elsewhere (mostly Western Europe).
"Loveless" premiered at last year's Cannes festival to immediate critical acclaim. It finally opened at my local art-house theater here in Cincinnati this weekend, and I couldn't wait to see it. The Sunday early evening screening where I saw this at was attended dismally (4 people in total, including myself). That is a darn shame. Hopefully this movie will gain a wider audience as it gets distributed on various platforms. If you are in the mood for a devastating family drama movie that is nothing short of top-notch, I encourage you to check it out, be it in the theater (while you still can), on VOD, or eventually on DVD/Blu-ray.