This is the kind of film that should be celebrated on account of its various political stands all the while presenting a disillusioned tale of the life especially for women and children in an oppressive society that has been shaped not only due to an idiosyncratic yet terrifying form of fundamentalist religion but also because of the continuous warfare of the Afghan region that always treat them as collateral damage. In a lot of fields, this film surpasses a lot of other films that are being celebrated in 2017 for exactly those fields.
Review of The Breadwinner
