The third episode in the fourth season of Black Mirror was Crocodile; it is an episode that shows the budget and scale that the show now has in its locations. Throughout the episode the selection and use of locations is impressive in the beauty of the Nordic landscape and even the use of interiors and specific places. Read any professional and amateur review and you'll find they all praise this. Part of the reason for that is that it is true, but the other reason is that the episode is unfortunately sufficiently lacking that this single aspect stands head and shoulders above the others.
In terms of technology and darkness, the episode has both - which is usually the core of these episodes working. In this case though, the technology is used to setup the scenario but there isn't really a feedback loop onto the technology as it is in the episode, and as it connects to us now. This lack of connection to the device weakens the episode, but what makes it not work is that the darkness is so pointlessly bleak, and the lead character seems single-minded without any hook for the viewer to try to connect to her actions or feelings. Instead we see characters murdered without involvement - only watching. It is surprisingly dull in this regard, and is pretty disappointing in all ways apart from the scenery.
In terms of technology and darkness, the episode has both - which is usually the core of these episodes working. In this case though, the technology is used to setup the scenario but there isn't really a feedback loop onto the technology as it is in the episode, and as it connects to us now. This lack of connection to the device weakens the episode, but what makes it not work is that the darkness is so pointlessly bleak, and the lead character seems single-minded without any hook for the viewer to try to connect to her actions or feelings. Instead we see characters murdered without involvement - only watching. It is surprisingly dull in this regard, and is pretty disappointing in all ways apart from the scenery.