Certainly not the late masterpiece some people have claimed it to be but Orson Welles' "The Immortal Story" is still extraordinary in ways so many films aren't. It clocks in at under an hour so it really is the perfect miniature. It is a film about the art of story-telling with only four main speaking parts. Welles could just as easily have done this on the radio and yet visually this is extremely beautiful, (it was his first film in colour), and still typically 'Wellesian'.
He adapted it from a novel by Isak Dinesen and he, himself, plays the role of the old merchant in the 'story' of the old merchant who hires a young sailor to sleep with his young wife, (Jeanne Moreau is the woman hired by the merchant to play the wife in the story). The sailor is played by the English actor Norman Eshley and he's painfully wooden but he doesn't upset the flow of the piece; in fact, his banal, robotic diction actually fits it. No masterpiece then, but this short piece, which almost feels thrown together, stands head and shoulders over the best work of many lesser directors.
He adapted it from a novel by Isak Dinesen and he, himself, plays the role of the old merchant in the 'story' of the old merchant who hires a young sailor to sleep with his young wife, (Jeanne Moreau is the woman hired by the merchant to play the wife in the story). The sailor is played by the English actor Norman Eshley and he's painfully wooden but he doesn't upset the flow of the piece; in fact, his banal, robotic diction actually fits it. No masterpiece then, but this short piece, which almost feels thrown together, stands head and shoulders over the best work of many lesser directors.