6/10
"There has to be the personal statement. Otherwise, the culture is going unrepresented."
13 June 2017
Fine documentary on the changing of the guard in cinema, 1969-1979, when independent film companies began churning out more relevant and successful movies than the major studios, and audiences (young people attracted to counterculture cinema) dictated what was a hit and which actors were the new stars. Many terrific interviews with the filmmakers of the time are included (Sidney Lumet, Paul Schrader, Sydney Pollack, Martin Scorsese, William Friedkin, Jerry Schatzberg, Francis Ford Coppola, Robert Altman, Peter Bogdanovich, John G. Avildsen, Milos Forman, Robert Towne, Roger Corman and Dennis Hopper), yet the two directors who changed the face of '70s cinema (which was changing rapidly, anyway), Steven Spielberg and George Lucas, are absent. Spielberg's "Jaws" in 1975 and Lucas' "Star Wars" in 1977 brought adventure and fantasy back to moviegoers who had been pummeled over the head with Vietnam and Watergate and the sexual revolution. "Star Wars" also brought in a new strategy for making millions of extra bucks, through merchandising. This turned an industry, which seven years before had begun to embrace the anti-establishment tale of the anti-hero, into a money-making monster, with blockbusters designed for the whole family. Although not as concise as 2003's "Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood", this document pretty much covers the same territory--and, similarly, under-utilizes the female perspective (here we have production designer Polly Platt and actresses Pam Grier, Ellen Burstyn and Julie Christie relating their experiences from the female point of view, but that's it). Directors Ted Demme (to whom the film is dedicated, posthumously) and Richard LaGravenese make some minor mistakes (for instance, a still from "The Exorcist" is actually that of "Exorcist II: The Heretic"), but their clips are well-used and their interviews are colorful and informative. **1/2 from ****
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