Bing Crosby is Larry Earl -- actually a thinly disguised Gus Edwards, song writer, vaudeville star and producer of dozens of kiddie shows on the vaudeville circuit, ending a major star of 1930s radio. Like many a movie of this sort, it is a story of a rocky start, and then triumph after triumph, interspersed with musical numbers, most of which had their scores composed by Mr. Edwards.
It's very enjoyable for the music as Bing, loyal wife Louise Campbell and kid-hating publicity man Ned Sparks discover hundreds of talented young singers, dancers and young comics. Chief among them is 14-year-old Linda Ware, whom Paramount was clearly positioning to be their answer to Deanna Durbin and Judy Garland; she sings swing and classical music and winds up debuting for Walter Damrosch and his symphony orchestra.
Like many a movie of this type, it has only a hazy connection with any real time line. Everything seems to happen in a world that combines elements of the Mauve Decade with the 1920s and even 1930s, as the Child Welfare people shut down the kiddie shows across the nation on the same evening that Bing discovers radio and foresees its endless possibilities -- and a triumphant finale for him.
It's very enjoyable for the music as Bing, loyal wife Louise Campbell and kid-hating publicity man Ned Sparks discover hundreds of talented young singers, dancers and young comics. Chief among them is 14-year-old Linda Ware, whom Paramount was clearly positioning to be their answer to Deanna Durbin and Judy Garland; she sings swing and classical music and winds up debuting for Walter Damrosch and his symphony orchestra.
Like many a movie of this type, it has only a hazy connection with any real time line. Everything seems to happen in a world that combines elements of the Mauve Decade with the 1920s and even 1930s, as the Child Welfare people shut down the kiddie shows across the nation on the same evening that Bing discovers radio and foresees its endless possibilities -- and a triumphant finale for him.