Barfly was written directly for the screen by one of my all-time favorite authors, Charles Bukowski. Mickey Rourke has never given a finer performance than as Henry, a "Bukowski-esque" writer/barfly struggling to survive along with the other dregs of society. Faye Dunaway shines as Wanda, Henry's newly found, (sometimes lover) drinking partner. Directed by Barbet Schroeder, Barfly did not find a large audience but critics and the lucky few to see this film in the theater became instant fans, knowing they have just viewed a small masterpiece.
However the real thrill is Dunaway appearing at a time when her Hollywood star was suffering still from "Mommie Dearest". I find her performance here probably one of her best and she captures beautifully the louche attitude of a beautiful woman too attracted to the bottle and heading for oblivion. This film is certainly up there with Bonnie & Clyde, Chinatown and Network in showing what she was capable of when well directed and stretched.
Also special mention should be made of the two support actors J. C. Quinn as Chinaski's friend and Alice Krige as the wealthy and attractive publisher attracted to the doomed Chinaski and not realising she is out of her depth when confronted by Dunaway. Add to this a very memorable cast of cheap bar low-lifes who all feed off each other and some smart art direction and camera-work. The several shots of daylight streaming into those dark room long bars when the bar door is opened and the inhabitants react dazedly captures the milieu of their twilight existence perfectly, and the bitter sweet ending of having gone full circle in the story depicts the entrapment of such an existence beautifully.
Overall rating: 8 out of 10.
However the real thrill is Dunaway appearing at a time when her Hollywood star was suffering still from "Mommie Dearest". I find her performance here probably one of her best and she captures beautifully the louche attitude of a beautiful woman too attracted to the bottle and heading for oblivion. This film is certainly up there with Bonnie & Clyde, Chinatown and Network in showing what she was capable of when well directed and stretched.
Also special mention should be made of the two support actors J. C. Quinn as Chinaski's friend and Alice Krige as the wealthy and attractive publisher attracted to the doomed Chinaski and not realising she is out of her depth when confronted by Dunaway. Add to this a very memorable cast of cheap bar low-lifes who all feed off each other and some smart art direction and camera-work. The several shots of daylight streaming into those dark room long bars when the bar door is opened and the inhabitants react dazedly captures the milieu of their twilight existence perfectly, and the bitter sweet ending of having gone full circle in the story depicts the entrapment of such an existence beautifully.
Overall rating: 8 out of 10.