6/10
Bardem great
28 December 2016
It's Latin America in the Recent Past. Agustín Rejas (Javier Bardem) is a Sergeant manning a road check. The country is corrupt with a militaristic Presidency. Rejas is a former lawyer ready for a promotion in the capital. A mysterious man with others and a dead dog in a truck escape the checkpoint. Then it's five years later. He's a police Lieutenant. With his young partner Sucre (Juan Diego Botto), he's investigating a mysterious revolutionary group led by Ezequiel. They hang dogs from the lamp posts. The violence escalates as leaders get assassinated. Yolanda (Laura Morante) is Rejas' daughter Laura's dance teacher. He begins an affair with her as he suspects her connection to Ezequiel.

The non-specificity of the time and place could have been improved by weaving the real story into this movie. It doesn't have to be perfect and most movies aren't real biographies anyways. The great aspect of this is Bardem and the sense of Latin America that this projects. John Malkovich is directing for the first time and he shows some competency. It is well-made and most importantly, he focuses on Bardem. The story does leave some questions. The ballet teacher's connections to everyone is very convenient. The investigation is not that clear. I don't know how nebulous the book is but adapting may have left something out of the movie. It would help to have great clarity, and better intensity.
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