5/10
Shortened version can't compare to classic original
28 December 2016
Warning: Spoilers
Is there anyone who has not yet seen the original (1947) "Miracle on 34th Street?" Should there be such a person and he or she comes across this 1955 shortened TV remake of the film, it's worth watching -- but, just barely. This probably never plays on TV anymore, and one can understand why. It's no match for the original.

One would have to pity the writers who had to reduce the 96-minute original to way under 60 minutes. There was too much in that original to even try to condense it all. Something had to go, and that usually was the filler that tied the parts together. So, this TV adaptation comes across as choppy. Viewers are robbed of too much information to have the story unfold smoothly, as in the original. Still, there is the semblance of the main story here, and the performance of Thomas Mitchell as Kris Kringle helps make it at least palatable. His performance and a rough but still evident main story are the only reasons why this adaptation deserves even five stars. Note though, that this is a different, rougher Kris Kringle character.

Unfortunately, for this film, Mitchell's is the only part worth mentioning. There isn't another performer who comes close to the counterpart performance in the 1947 film. And, the subplots of the film – i.e., the romance between Doris Walker (Teresa Wright) and Fred Gaily (Macdonald Carey) and the transformation of Doris are incomplete and hardly believable. They happen too fast, with so much missing in between.

I can excuse some significant changes from the original (i.e., the courtroom scene with reindeer), as an effort to spice up the gutted remnant of a great film. Other changes alter the substance of the story (i.e. Doris having the idea for the Post Office to deliver Santa's mail to the courthouse).

I had seen this film on TV long ago, and watched it again recently since it was on my DVD of the original movie. Once the original film's copyright expired and it became part of the public domain (early 1970s), all the remakes before and since then were probably doomed to any future viewing. This second-rate scaled back remake fits in that group.
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