For decades, following the fall of Iron Curtain and fast development of technology, felonies and combating them have become more international as well, money laundry and human trafficking included. Thus, on one hand, it is interesting to follow diverse beautiful places and characters of different nationalities performed by respective actors speaking respective languages, but when the series of eight 1-hour episodes deals with one "enemy", then the plot becomes perfunctory and the role of leading characters unbalanced, with some obtaining too much unnecessary attention and the others' characteristics remain unfinished, with several questions unanswered.
The police characters are obviously realistic, but often not too interesting to follow, and even Lars Mikkelsen is unable to show his talent in full. Plus it is odd that Alexandra Rapaport had so insignificant character. And Jasmin Gerat as Jackie Müller and Veerle Baetens as Alicia Verbeeck provided just okay, but not memorable performance, and those depicting Lithuanians were not particularly catchy, somehow underlining the role of Eastern European villains. Plus, of course, Belgium as a symbol of negligence and corruption...
All in all, not a bad creation, but not on the level of e.g. The Eagle: A Crime Odyssey ("Ørnen: En krimi-odyssé).
The police characters are obviously realistic, but often not too interesting to follow, and even Lars Mikkelsen is unable to show his talent in full. Plus it is odd that Alexandra Rapaport had so insignificant character. And Jasmin Gerat as Jackie Müller and Veerle Baetens as Alicia Verbeeck provided just okay, but not memorable performance, and those depicting Lithuanians were not particularly catchy, somehow underlining the role of Eastern European villains. Plus, of course, Belgium as a symbol of negligence and corruption...
All in all, not a bad creation, but not on the level of e.g. The Eagle: A Crime Odyssey ("Ørnen: En krimi-odyssé).