I've been trying to sort my feelings out about this film for about two years. When I saw it for first time, I've had my "shooter's ID" already (I'm from Czech republic). I wasn't able to CC yet but I've expanded my "SID" shortly afterward and I started to see the world of guns in an entirely different light and started to learn some skills and develop habits which I didn't need before.
However, this isn't just about my relationship with guns, it's also about my relationship with Germans and Germany. You could say that my dislike for Germans was (I repeat, was) as old as my knowledge of the history of my own country. As I grew older, my dislike for them abated and I've come to realize that that it isn't important what did they do to my country in past but what can their influence mean for Europe, especially for my country and our guns in future. In other words, this film spoke to me on two personal levels. One is the deteriorating political situation in Germany. The other is the attitude of German politicians towards guns. I believe that this film is raising some important points in both regards.
However, there's a third level which I've began to see only after repeated watching and increase in my own aptitude. There's something very important about the gunfight scenes: They have a very high degree of fidelity. It's obvious that Til Schweiger is either a recreational shooter or that he underwent some kind of a crash course. Everything from drawing, shooting, and reloading to using a cover or shooting from various positions. There was even a scene involving an empty shell jammed during ejection. One might say that the shooter took a little bit long to correct the malfunction but let's be honest, I would completely freak out in such a situation (as a matter of fact, such a thing has never happened to me because I'm using guns from Uhersky Brod). I've discussed this film with one of my instructors and he agreed that about 80 percent of the film is accurate.
I don't know why Americans don't bother with this in their films. After all, they have even closer relationship with guns than we do. Maybe that's the reason - the have personal experience with guns and don't need accurate films as a result. They just want to kick their shoes off and watch fairy tales about heroes with absolutely terrible technique.
On a side note, I've found the acting and everything else quite good. The interactions between the Schweigers was simply magical. What does it matter that she's actually his daughter in real life? It's the result that counts!
However, this isn't just about my relationship with guns, it's also about my relationship with Germans and Germany. You could say that my dislike for Germans was (I repeat, was) as old as my knowledge of the history of my own country. As I grew older, my dislike for them abated and I've come to realize that that it isn't important what did they do to my country in past but what can their influence mean for Europe, especially for my country and our guns in future. In other words, this film spoke to me on two personal levels. One is the deteriorating political situation in Germany. The other is the attitude of German politicians towards guns. I believe that this film is raising some important points in both regards.
However, there's a third level which I've began to see only after repeated watching and increase in my own aptitude. There's something very important about the gunfight scenes: They have a very high degree of fidelity. It's obvious that Til Schweiger is either a recreational shooter or that he underwent some kind of a crash course. Everything from drawing, shooting, and reloading to using a cover or shooting from various positions. There was even a scene involving an empty shell jammed during ejection. One might say that the shooter took a little bit long to correct the malfunction but let's be honest, I would completely freak out in such a situation (as a matter of fact, such a thing has never happened to me because I'm using guns from Uhersky Brod). I've discussed this film with one of my instructors and he agreed that about 80 percent of the film is accurate.
I don't know why Americans don't bother with this in their films. After all, they have even closer relationship with guns than we do. Maybe that's the reason - the have personal experience with guns and don't need accurate films as a result. They just want to kick their shoes off and watch fairy tales about heroes with absolutely terrible technique.
On a side note, I've found the acting and everything else quite good. The interactions between the Schweigers was simply magical. What does it matter that she's actually his daughter in real life? It's the result that counts!