The movie's an okay crime drama, but nothing more. There's some suspense near the end as lawyer Madison (Carey) gives exoneration one more try before his client Braden is executed. That manages some dramatic tension. Still, the opening hook may be the movie's best sequence as the mysterious intruder ends up shooting two old people while rifling a desk for money. It's effectively done in creepy shadow. The story's remainder, however, fails to rise above standard melodrama.
Fans of Wright will be disappointed, since her role is relatively small and overshadowed by two Monroe-like blondes. Speaking of blondes, Mara does a good imitation of Daisy Mae from Dogpatch, a backwoods caricature instead of a performance. I wish director Siegel had stepped in to prevent the disruptive effect. Of course, Elam's wild-eyed presence remains a big draw for many of us, and he doesn't disappoint. Get a load of his pants and shirt that look like rag-bin rejects. What a great character actor he was, and to think he was an A-grade studio accountant before turning thespian. Hard to figure him in a suit and tie after seeing his disheveled nut-case here.
Anyway, the movie was apparently shot in just nine days, which may account for its general lack of consistency, given the presence of virtuosos like Siegel and Alton. Had the movie been made several years earlier, I expect RKO would have come up with a noir. As things stand, however, the results are an adequate time passer but nothing more.
Fans of Wright will be disappointed, since her role is relatively small and overshadowed by two Monroe-like blondes. Speaking of blondes, Mara does a good imitation of Daisy Mae from Dogpatch, a backwoods caricature instead of a performance. I wish director Siegel had stepped in to prevent the disruptive effect. Of course, Elam's wild-eyed presence remains a big draw for many of us, and he doesn't disappoint. Get a load of his pants and shirt that look like rag-bin rejects. What a great character actor he was, and to think he was an A-grade studio accountant before turning thespian. Hard to figure him in a suit and tie after seeing his disheveled nut-case here.
Anyway, the movie was apparently shot in just nine days, which may account for its general lack of consistency, given the presence of virtuosos like Siegel and Alton. Had the movie been made several years earlier, I expect RKO would have come up with a noir. As things stand, however, the results are an adequate time passer but nothing more.