A strange pregnant woman (a memorable and quietly sinister performance by Donald Pleasence's daughter Angela) shows up unexpectedly at a country cottage owned by a young couple with four kids. The woman gives birth to a daughter and then promptly vanishes. The couple decide to raise the girl Bonnie (ably played to the supremely creepy hilt by Joanne Boorman and Wilhelmina Green) as if she was their own, only to have Bonnie grow up to be an evil brat who starts bumping off her other siblings. Director Gabrielle Beaumont, working from a bold and compact script by Olaf Pooley, relates the compellingly twisted story at a hypnotically gradual pace, does an ace job of crafting a grim and unsettling atmosphere, grounds the fantastic premise in a believable workaday reality, and makes nice use of the beautiful bucolic locations. Moreover, Beaumont warrants extra praise for handling the dark and upsetting subject matter in a tasteful and restrained, yet still effective and disturbing manner as well as for using a low-key approach that puts a noted emphasis on an eerie and subtly unnerving mood over cheap shocks and graphic gore. Malcolm Stoddard and Cyd Hayman are solid and credible as the concerned and increasingly distraught parents, with sturdy support from Patrick Barr as friendly physician Dr. Collins. Norman Warwick's sharp cinematography offers several stunning panoramic shots of the breathtaking British countryside. Roger Webb's robust shuddery score hits the spine-tingling spot. This picture acquires an extra chilling sting from its intriguing ambiguity (for example, we never find out exactly why Bonnie is so wicked). Worth a watch.
Review of The Godsend
