This feature actually consists of three half-hour-long story lines one after another, related only in that they all star the same hapless protagonist. I read somewhere that the director took Charlie Chaplin as a model for his comedy, and the influence shows here, even to the point of the short-subject-length segments -- and especially in the first story. That one is basically a pure slapstick comedy, drawing gags from the situation of the Sharik character (who actually ends up resembling Harold Lloyd in appearance and behavior more than Chaplin) working part time on a construction site, alongside the man who he caused to be working there as a sentence.
The second segment is the one I thought to be the greatest success, as it combines the visual humor (many sequences of which, throughout, would work without dialogue at all) with a well-tuned funny situation and good actor chemistry. The third and titular segment is amusing as well, but perhaps get a little too involved in its own story.
Overall, it's funny material and recreates well what made the silent comedies of the short-subject era funny, if without the inspiration of an actual Chaplin on set.
The second segment is the one I thought to be the greatest success, as it combines the visual humor (many sequences of which, throughout, would work without dialogue at all) with a well-tuned funny situation and good actor chemistry. The third and titular segment is amusing as well, but perhaps get a little too involved in its own story.
Overall, it's funny material and recreates well what made the silent comedies of the short-subject era funny, if without the inspiration of an actual Chaplin on set.