Review of M

M (1931)
Fritz Lang's Finest Film
9 August 2013
An expertly written & masterfully executed example of genre-filmmaking that was far ahead of its time back when it was released and which even today is counted amongst the greatest & most influential works of world cinema, Fritz Lang's M is an intriguing character study that paints an interesting portrait of a serial killer & is a biting criticism of a negligent society as well.

The story of M concerns a serial killer who preys on children & presents an underworld society whose usual business is disrupted due to the everyday raids carried out by the police to apprehend the killer-on-loose. Driven by police's continued failure & increasing losses in their business, the criminal bosses ultimately decide to take matters in their own hands & try to capture the killer all by themselves.

Directed by Fritz Lang, this is the film that the esteemed director called his finest & it's not really difficult to see why. The screenplay & direction brims with creativity, the suspense is wonderfully created & utilized, black-n-white photography is crisp & inventive, editing never lets the story settle down, score & sound effects work in seamless harmony, and Peter Lorre steals the show with a highly compelling performance.

On an overall scale, M is a cinematic treasure that has innovation written all over it. Whether it's the narrative style, leitmotifs, camera angles, sound mixing, symbolism or expressions, the contribution this German classic has made in the world of filmmaking is groundbreaking. A thought-provoking & well-researched study into the mind of a disturbed character, M is a strong meditation on the morals of right & wrong, that has a lot to say about our very own society.

Thoroughly recommended.
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