I wanted to like this film more than I did. I admire its ambition, and I like the way it sets out to satirize the advertising industry and its effect on us. Unfortunately, it seems that the filmmakers had problems shaping their material into an elegant, effective film.
"Branded" is entertaining throughout -- and sporadically brilliant! -- but most viewers will probably feel, as I did, that this movie is wildly uneven. The tone of the film shifts in bizarre and disorienting ways; important plot-points are barely touched-upon; great chunks of time are skipped, often revealing that our main characters have changed in ways that are so profound that it seems some kind of further explanation is required; some very clunky narration attempts to tie everything together.
The problems lie mostly with the script, which can't seem to decide how seriously to take itself. In the film's earlier scenes, as the forces of evil begin shaping their bozo nightmare, the film often projects a winking, campy sort of vibe. Later, the film is solemn and reflective. Then, it's an angry political screed. Each of these pieces, individually, has its merits -- but they sit at odd angles to each other. Combine this with the film's fractured and episodic method of storytelling, and you end up with a film that plays like patchwork. It's entertaining, but I think there's a lot of unintended dissonance created by the film's cavalier approach.
The acting is actually pretty good; these actors were given some tough material to work with, given the script's shifty nature. All the actors do their best to provide their characters with strong through-lines, and they mostly succeed. That is to say that, even though the script and the tone are all over the place, the actors do a good job of providing solid and centered performances. I was frankly surprised that the acting worked as well as it did in this film.
The cinematography and effects are also worth a mention. The camera-work is top-notch, and the CGI "monsters" which appear in the film's final third are rather clever creations.
Overall, I got the impression that this was a wildly ambitious project undertaken by a crew that wasn't quite up to the task. And yet, they succeeded in creating a great-looking film of ramshackle construction. It entertains and provokes some thought, and there is a great sense of enthusiasm in the production.
"Branded" is entertaining throughout -- and sporadically brilliant! -- but most viewers will probably feel, as I did, that this movie is wildly uneven. The tone of the film shifts in bizarre and disorienting ways; important plot-points are barely touched-upon; great chunks of time are skipped, often revealing that our main characters have changed in ways that are so profound that it seems some kind of further explanation is required; some very clunky narration attempts to tie everything together.
The problems lie mostly with the script, which can't seem to decide how seriously to take itself. In the film's earlier scenes, as the forces of evil begin shaping their bozo nightmare, the film often projects a winking, campy sort of vibe. Later, the film is solemn and reflective. Then, it's an angry political screed. Each of these pieces, individually, has its merits -- but they sit at odd angles to each other. Combine this with the film's fractured and episodic method of storytelling, and you end up with a film that plays like patchwork. It's entertaining, but I think there's a lot of unintended dissonance created by the film's cavalier approach.
The acting is actually pretty good; these actors were given some tough material to work with, given the script's shifty nature. All the actors do their best to provide their characters with strong through-lines, and they mostly succeed. That is to say that, even though the script and the tone are all over the place, the actors do a good job of providing solid and centered performances. I was frankly surprised that the acting worked as well as it did in this film.
The cinematography and effects are also worth a mention. The camera-work is top-notch, and the CGI "monsters" which appear in the film's final third are rather clever creations.
Overall, I got the impression that this was a wildly ambitious project undertaken by a crew that wasn't quite up to the task. And yet, they succeeded in creating a great-looking film of ramshackle construction. It entertains and provokes some thought, and there is a great sense of enthusiasm in the production.