Margaret is a well written coming of age drama, but the protagonist is not a sympathetic character, which is going to alienate a lot of the audience right off the bat. The girl behind me as I left the theater didn't like it, telling her friend, "I just couldn't stand Anna Paquin's character." The screenplay is deft at shorthanding idiosyncratic, complicated personalities with naturalistic dialogue. It also helps that every role in the film, including almost every minor part, is cast with a top notch actor. But for all the big Hollywood names, my props go to J. Smith-Cameron for a theater-grade performance scaled down to fit the intimacy of a close up shot. The movie explores the milieu of affluent teenagers attending an upscale school in New York City, and one of the other reviewers here is right in saying it resembles a French film in that it takes an mature approach to depicting adolescents, showing them as smart, complicated, sexual, uncertain. Most mainstream reviewers seem puzzled as to what they should think about it. I think it's over their heads, the elliptical, dialogue heavy, character driven narrative style, as well as the lack of an easy, simple take-away moral, seems to have befuddled them. Maybe we should rope in some theater critics' opinions instead.
Review of Margaret
