Mystery!: Cadfael (1994–1998)
10/10
Jacobi Makes A Very Difficult Premise Work.
5 January 2012
Derek Jacobi, recently knighted, is on the short list of great Brit actors, if the Brits are doing the ranking. Virtually unknown over here because of his lack of movie roles and t.v. appearances, he takes firmly hold of his role as Cadfael, the medievel, detective/herbalist monk. The 75 minute shows, set in the middle ages (late middle ages probably because of crusades backstory for Cadfael and the show itself) are just long enough to develop character of the main roles, tell the story, explore a theme or two, focus on CAdfael's bumbling, at times,attempt to stay true to his orders as a monk, and remind the audience that good and evil are sustaining characteristics of so many people throughout all times. Although somewhat subtle, this show owes much to the Medieval morality plays (short plays illustrating different human and divine virtues and vices) there is no hemming and hawing about the presence of evil that infects Cadfael's monastery and surrounding area--mostly woods and in the background the great (fictional I believe)Shrewsbury Castle looming over the landscape of the shows. There is a civil war going on between Empress Maud and King Stephen for control of much of England (fictional characters). Many of the plots involve characters' allegiances, at least as jumping off points. The monastery and its surrounding lands (supposedly quite vast) are up for grabs for the monarchs, though Cadfael's monastery is part of the land of one of the monarchs (or at least claimed by one of the monarchs) at the time of the show--Empress Maud is the putative ruler of the abby, BUT CAdfael's monastery and lands are technically neutral and this neutrality is another premise that motivates the characters and their actions. A show about a detective/monk in the middle ages is not immediately appealing to most people. Many people give Jacobi all the credit for making the show work, or at least marketable. However, the recurring characters (three or four monks) are fleshed out nicely and permit the show an easy way to illustrate the the contrasts of good and evil--two of the monks (second and third in command) are lubricious, sneaky, rather creepy, but also ambiguous, characters who belie their Christian vows ubiquitously. They look for bad in people and do nothing to nurture the good in their brother monks and other people in the show. I am very sensitive to 20/21st secular animosity towards devout Christians (Southern born agains are the devil for most Hollywood filmmakers). This show comes close to being too strenuous in its depiction of the evil, in the monks and thus in Christianity, but the handling of religious wickedness works because most of the very human evil in a couple of the monks is manifested more in their thoughts and beliefs, not their actions. In any event, Jacobi is magnificent in this underplayed role. The role could easily be consumed by his bumbling, but Jacobi keeps the role "real" and not a caricature. This is a great show of 12 or 13 compelling episodes, whose excellence is proved by the fact that multiple viewings of individual episodes yield rich rewards and the show maintains its thematic, character and plot potency from viewing to viewing.
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